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The Lockhart Women: A Novel Kindle Edition
Meanwhile, the chatter about the O. J. Simpson murder investigations is always on in the background, a media frenzy that underscores domestic violence against women and race and class divisions in Southern California. Brenda, increasingly obsessed with the case, is convinced O. J. is innocent and has been framed by the LAPD. Both daughters are more interested in their own lives—that is, until Peggy starts noticing bruises Allison can’t explain. For a while, it feels to everyone as if the family is falling apart; but in the end, they all come together again in unexpected ways.
- LanguageEnglish
- PublisherShe Writes Press
- Publication dateJune 1, 2021
- File size3192 KB
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Editorial Reviews
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2022 California Author Project Winner in Adult Fiction 2022 American Writing Awards Finalist in General Fiction
2022 American Writing Awards Finalist in Women's Fiction
2022 WILLA Literary Awards Finalist in Multiform Fiction
2022 ScreenCraft Cinematic Book Competition Finalist
2022 Los Angeles Book Festival Honorable Mention in Regional Fiction
2022 Hollywood Book Festival Honorable Mention in General Fiction
2021 Next Generation Indie Book Awards Winner in First Novel (Over 90,000 words)
2021 American Fiction Awards Finalist in Women's Fiction
“A family is thrown into chaos in 1990s Southern California in Camarillo’s debut . . . and the novel’s ending is a satisfying one. An emotional portrait of three women dealing with unexpected change.”
—Kirkus Reviews
“Camarillo’s prose is lively, companionable, and quite satisfyingly observant in ways that surprise and delight, as if a friendly someone you know well is murmuring in your ear, giving you living presences, using history as the canvas across which the drama takes place. Bravo!”
—Richard Bausch, award-winning author of Peace and Hello to the Cannibals
“The Lockhart Women is deeply and thoroughly Southern Californian—in all the perfectly detailed cities and streets and, of course, freeways, but also in the evocation of its time: the 1990s. These women in this page turner—flawed and desperate and seeking redemption—are vivid portraits.”
—Susan Straight, award-winning author of In the Country of Women
“With control, compassion, and surprising humor, Camarillo dissects how a modern family comes apart. . . . Unputdownable.”
—Eduardo Santiago, PEN Emerging Voices Rosenthal fellow and award-winning author of Tomorrow They Will Kiss and Midnight Rhumba
“Like Mona Simpson’s Anywhere but Here, The Lockhart Women sensitively illustrates what happens to children coming of age under the influence of childish parents. But unlike Simpson, Camarillo provides hope that everyone—parents and children—can grow and develop. An authentically hopeful and realistic novel.”
—Shelley Blanton-Stroud, author of Copy Boy
“. . . an intimate portrayal of a Southern California working class family that splinters apart when the father leaves. Brenda Lockhart and her two daughters are complicated and not always admirable characters, but they are relentlessly human. Camarillo laces their story with concise prose, dry humor, and flinty realism, allowing love, resilience, hope and eventual forgiveness to shine through.”
—Samantha Dunn, bestselling author of Not By Accident: Reconstructing a Careless Life
"O. J.’s famous white Bronco flight and his trial for murder is the perfect backdrop for this story of a mother and her two daughters watching their lives implode. Great writing, compelling and fast-paced, The Lockhart Women is impossible to put down.”
—Diana Wagman, award-winning author of Spontaneous and Extraordinary October
“The Lockhart Women make mistake after mistake in this delightful debut novel, but that's part of their charm. Touching on themes of motherhood, fidelity, and responsibility, this is a coming-of-age tale for both Brenda and her daughters, teaching us that the indelible bonds of love can steer families through the roughest of passages.”
—Julie Zuckerman, author of The Book of Jeremiah
“This is a gripping, sometimes funny, novel that will keep you turning the pages.”
—San Francisco Book Review
About the Author
Mary Camarillo went to work for the Postal Service after high school. It might be genetic; both her grandfathers were railway mail clerks. Her short stories and poems have been published in the Sonora Review, the Bookends Review, Lunch Ticket, and The Ear, among others. She lives in Huntington Beach, California, with her husband, who plays ukulele, and their terrorist cat, Riley, who has his own Instagram account.
Product details
- ASIN : B08DKK51XF
- Publisher : She Writes Press (June 1, 2021)
- Publication date : June 1, 2021
- Language : English
- File size : 3192 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 345 pages
- Best Sellers Rank: #841,112 in Kindle Store (See Top 100 in Kindle Store)
- #978 in Marriage & Divorce Fiction
- #3,882 in Women's Literary Fiction
- #4,205 in Sisters Fiction
- Customer Reviews:
About the author
Mary Camarillo is the author of the award-winning novel "The Lockhart Women."
Her awards include the 2022 Indie Author project Winner, California Adult Fiction, the 2022 Willa Literary Award Finalist in Multiform Fiction, the 2021 First Place Award in the Next Generation Indies for First Fiction, a 2022 Finalist for the Screencraft Cinematic Book Award, a 2021 Finalist in the American Book Awards in Women’s Fiction, a 2022 Silver Titan Award, and mentions in the 2022 Honorable Mention, Los Angeles Book Award for Regional Fiction and the 2022 Honorable Mention, Hollywood Book Award for Fiction.
Her second novel "Those People Behind Us" will be published in October of 2023. Her poems and short fiction have appeared in publications such as TAB Journal, 166 Palms, Sonora Review, and The Ear.
Mary writes about living in Southern California, a place she's called home for more than fifty-five years and is still trying to understand. She had a long career with the postal service, which might be genetic---both her grandfathers were railway mail clerks. She sorted mail, sold stamps, worked in the accounting office, and went to night school, eventually earning a degree in business administration, a CPA license, and a Certificate in Internal Auditing.
She currently serves on the advisory boards of Citric Acid, An Orange County Literary Arts Quarterly, and LibroMobile, An Arts Cooperative and Bookstore in Santa Ana, California. She’s a member of Women Writing the West, Women Who Submit, the Orange Chapter of the California Writers Group, and Women For Orange County. Mary lives in Huntington Beach, California with her husband, who plays ukulele, and their terrorist cat Riley, who makes frequent appearances on Instagram.
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The main characters drew me willy-nilly into their ignoble lives, and held my attention from the first page. Though these off-puttingly self-absorbed ladies were hardly models of admirable behavior, I found myself caring for them—even, after a while, rooting for them. That’s a result of Camarillo’s skill at drawing concrete, real people who care enough about themselves even for a heartless reader like me to become involved in their lives. She presents believable, compelling human beings in a realistic style, while setting a quietly suspenseful tone that makes one want to keep reading and reading—as I am hardly the first to remark.
A word about each of these gals. First, the mater familias, Brenda. Superficial, self-satisfied and judgmental, she is soon revealed as a woman who, once thrown onto her own resources, appears incapable of fending for herself, and certainly not her daughters. As she eventually begins to recover from wallowing in the grief of her life’s biggest disappointment, certain events occur that develop her resilience as a woman capable of discovering a better way of being; after flailing about for quite some time, she is finally on her way toward a less superficial, more social and moral maturity.
Her comely older daughter Allison, from the outset shown as having picked up Brenda’s empty values and self-absorption, develops as well her own special gift—for petty theft. Some hard knocks consequent on her own dishonorable choices teach her how counterproductive her misbehavior is proving to be. After a few more self-destructive mistakes, and partly through a more healthy relationship with an earlier flame, she begins to show signs of growing into a more honest and other-oriented woman.
Peggy, who starts out as rather a physical underdog based on the Southern California Shallow Scale, improves her appearance—to a degree consistent with her independent personality and values—while slowly evolving, through her own series of ups and downs, into a mentally, even spiritually worthy human being. Not wanting to be a spoiler, I’ll just say that Peggy’s bookkeeping manner of making a centrally important decision is brilliantly and persuasively rendered. (Hats off to Camarillo for that innovation!) Moreover, the result of Peggy’s Major Big Decision turns out to be a significant factor in evoking more fully the positive potential of the other two, and of herself as well.
Though at times these characters had me feeling pulled through a moral miasma, I didn’t want to leave them. After reading the conclusion and thinking about the entire work, I came to see that just as Dante leads us through his Inferno as a preparation for attaining deeper understanding and grace, so, on a more quotidian scale, Camarillo impels us through this valley of near-despair toward a vibrant recognition of our human capacity for personal redemption. For each woman in this trio does find a measure of grace, and toward the ending we readers perceive that what may feel at times like a slog through a fetid alley turns out to be a brightening journey charged with potential for redeeming moral insight. Closely following these finally rescued members of a once-fractured family brings us to an earned optimism: at the end we see a promising outlook for the future lives of three resilient women; and their triumph is a win for all of us.
The character development is excellent, showing how a wife and two daughters handle the father moving out to live with a new love. His loss is more than an emotional deprivation as it increases their emotional stressors as it cuts their income and forces them to move to a less desirable neighborhood. The main characters are the mother (Brenda), the older, more serious daughter (Peggy), and the younger, more flighty daughter (Allison). Though they never seem particularly close-knit as a family, the sudden change in their lifestyle causes an increasing distance between them.
Told in alternating points of view, the novel shows the inner workings of the three women, their motivations, their consistently poor judgment (even Peggy’s part) and misplaced loyalties to men who aren’t worthy. The men here, with one exception, are egocentric, poor providers, physically and/or mentally abusive, and heavily into alcohol or drugs. The ending is satisfyingly rich as these women overcome their emotional issues and become their best selves, strong and emotionally independent.
Frank and Brenda have two daughters. Peggy, brown-eyed and blond, has aspirations to finish college, but takes a job at the post office to help with expenses. Younger Allison, with red hair and green eyes, is a senior in high school and has a surfer boy friend who, although a respected athlete in town, is physically abusive to Allison.
The complications brought by the subsequent behavior of these two daughters may seem exasperating over time, but each of the Lockhart women is caught in her own desperate search for a definition of women’s roles in the mid-nineties. In the backdrop, the reader hears the constant stream of OJ Simpson’s trial and ultimate acquittal for the murder of his ex-wife, Nicole Brown Simpson, and her friend Ron Goldman.
There is a touching moment when the three Lockhart women are at home and Camarillo writes, “When they get home, the television is off, and Brenda has actually showered and put on a sundress. Allison chops veggies as Brenda mixes salad dressing. When she offers to light the barbecue, Brenda grins. 'Thanks dear. Us Lockhart women are resourceful, right? We’re doing just fine on our own.'”
A reader may get a different picture though, as drinking, drugs, stealing, an unexpected pregnancy, lies, selling the house, and forgotten goals threaten to swallow the family whole. Their resources seem both limited and detrimental in propelling them forward toward self-sufficiency.
Mary Camarillo’s writing style is fluid with description. It reads almost like a screen play as the reader is able to imagine a 360-degree view of everything going on at any time. Small details of place become integral to each chapter and may seem overwhelming at times. The author has a knack for presenting the challenges and triumphs facing American working-class families.
The novel has many characters and is told by an omniscient narrator. Camarillo does not lecture her readers; she merely exposes her characters’ vulnerabilities. She uses a style of narration, snarky at times, that slips only once into first person.
Willa Cather once wrote, “The end is nothing. The road is all.” Mary Camarillo’s novel turns that expression on its ear, for it is only at the end of her novel that a reader finds a sense of renewed hope for the Lockhart women. Until then, their horizons are shrouded by lack of direction, poor choices, unfortunate circumstances, and lack of funds. What remains for them, however, is a landscape of love shaped by family, in whatever twentieth-century form that takes.
This is a story for mothers or daughters on the verge of losing hope. Its raw honesty and unadulterated accounting may make some younger readers reconsider how their light is spent. It may remind mothers of the amazing redemptive power of family.
Story Circle Book Reviews thanks Shawn LaTorre for this review.
Top reviews from other countries
Mary Camarillo writes with a mellifluous,magical realism to produce a masterpiece that is so descriptive of life and the hazards of living when a husband leaves his family.Exquisitely layered,like a homeless person in winter.
I became completely immersed in the fortunes of The Lockhart Women from the start,such a pleasure to read a book of this calibre.