Consider the Lobster: And Other Essays
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Consider the Lobster: And Other Essays Audible Audiobook – Unabridged

4.4 4.4 out of 5 stars 1,872 ratings

Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures. Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.

Product details

Listening Length 15 hours and 8 minutes
Author David Foster Wallace
Narrator David Foster Wallace, Robert Petkoff
Audible.com Release Date September 20, 2017
Publisher Hachette Audio
Program Type Audiobook
Version Unabridged
Language English
ASIN B075RFPW8Y
Best Sellers Rank #15,654 in Audible Books & Originals (See Top 100 in Audible Books & Originals)
#18 in Literary Essays
#18 in Literary History & Criticism
#21 in General Books & Reading

Customer reviews

4.4 out of 5 stars
4.4 out of 5
1,872 global ratings
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A lot of the annotations are very invasive and take away from the book. Other than that, the book is in great condition and it was a total steal for the price!
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Top reviews from the United States

Reviewed in the United States on July 5, 2011
David Foster Wallace, more so than any other person, makes me laugh and cry, in other words, feel deeply. Which is a good thing, I think--which is the other thing he makes me do--think. And all that is as he intended if I am interpreting his writing accurately--which is as he posits, not possible--to know how a reader will react to what it is you write; but writing, as Wallace says, is nothing but, " ... an act of communication between one human being and another ... " [From "Greatly Exaggerated" in the Harvard Book Review (1992) reprinted in A supposedly Fun Thing I'll Never Do Again (1997). Essentially this is what troubled Wallace throughout his life--all these little contradictions that abound everywhere if you take the time and spend your attention looking. Which is what he did better than anyone I have ever read or listened to. He was an expert observer by his own criteria which is to be passionate about what you care about. And yet, his observations were often dispassionate, or better, more clear because he did not allow his passion to cloud what it was he saw. And then could he write? Better than anyone else I've read, because he had a mastery of words and language. He was a self acknowledged "SNOOT," or an extreme word usage fanatic (fn. pg. 69 in "Authority and American Usage.") Which is a book review of an American language usage dictionary, wrote in 1999, that had me laughing out loud, which is not an easy thing to do. A lot! So, besides dispassionate (mostly) he observes and writes objectively (as much as this is possible) in beautiful, unambiguous, extraordinarily detailed prose. If you are not curious and not open-minded, Wallace's writing will disturb you. And if you are curious and open-minded his writing will blow your mind and really, really disturb you. If you are the former, however, you don't have to read him and probably won't, and things will go on as they always have. But if you are the latter - you must read him - and then things might never be the same. So that is a general review of what you're in store for in Consider The Lobster.

Slightly more specifically. The non-fiction essays were written (except for one in 1994) from 1998 through 2005. The subjects are: Words, language, literature, teaching, writing, thinking, lying, entertainment, sports, celebrity, politics, food, small towns, Las Vegas, pornography, morality, talk radio; and of course the people and personalities that make up those places, industries, and things ... in other words: What it is to be human in America at the turn of this millennium. Do I always agree with him? No. For example, in "Up, Simba," about John McCain and the GOP primary of 2000 he writes about the decision to vote or not (something I have written about myself) and I agree with him--not voting is actually a vote for the status quo. And this, in the same essay, hits home:
" ... getting lied to sucks - that it diminishes you, denies you respect for yourself, for the liar, for the world. Especially if the lies are chronic, systemic, if experience seems to teach that everything you're supposed to believe in's really just a game based on lies." (pg. 189)

Yes, David; but just what game are you talking about? ( I was living just a few miles away from him when he killed himself. And before his death I had never heard of him. I feel - like I lost something, something that I'll never have the opportunity to experience ever again.) [If you're into the ins-n-outs of lying, check out my blog @ markjabbour.com (coming in mid July 2011). Lying is one of my favorite subjects.] So how does Wallace reconcile that with this: The senior ladies, his neighbors in Bloomington, Indiana, on September 11, 2001 were innocent. He says. Not stupid but innocent. I get his point, but I disagree. No adult in America is innocent. Children are innocent; but in a democracy that stands for freedom and equal rights, every citizen, especially the older you get and the more you benefit from that freedom - is not innocent but responsible. Ahhh, but these are the contradictions that drove Wallace, ultimately I think, to take his own life. He asked questions, the right questions, he studied the problems and asked more questions. And more than any other, he could put it all down on paper so as not to offended or rankle or make defensive - but to make people think. Which is, arguably (which he does) a good thing, right?
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Reviewed in the United States on September 16, 2023
DFW's essays are the pinnacle of writing-as-art -- they're entertaining, hilarious, and make you think. (Reminds me of the vibe of South Park.)

But the Kindle Edition (at least) has a serious flaw. One of the essays hinges on misspellings of words, but when Amazon created the Kindle version, someone **ran the whole thing through autocorrect!!!**. Which obviously destroys the author's intentionally misspelled content. The reader can reconstruct what DFW intended in some cases, but others are totally lost.

Perhaps it was an unintended artifact of some optical-character-recognition process, but either way I'd expect a little more care in the process -- when Amazon is advertising the Kindle Edition as the same as the book, there needs to be a human who looks at cases where a word's spelling is being changed (or where OCR has low confidence).
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Reviewed in the United States on July 2, 2019
David Foster Wallace's work always shows a multi-centered consciousness (see esp. his masterwork Infinite Jest), but isn't he crossing a red line when he takes the point of view of the lowly lobster in his 'gonzo' reporting at the 2003 Maine Lobster Festival that was first published in the August 2004 issue of Gourmet magazine? Yes, lobsters have pain neurons and they try to crawl out of the pot when placed live in boiling water (cf. Woody Allen's bit with the live lobster in the film Annie Hall with Diane Keaton), unlike clams and mussels which also are also lowly but aren't arthropods. We do the same to other sea creatures that are more intelligent, such as the octopus and cuttlefish. What is it particularly about the lobster that attracts DFW's literary attention? Curiously, Colin Farrell's character tells the interviewer in Yorgos Lanthimos' dystopian epic The Lobster (2015) that if he fails to find a new mate within the required 45 days that he would like to be turned into a lobster, not a dog as most people choose, citing the lobster's longevity and loyalty to its undersea mate. Perhaps it is just that the lobster is fascinating because it is so unobtrusive (just like the meek character David that the usually rubber-faced Farrell plays in The Lobster).

The essay "Up, Simba" chronicles John McCain's 'Straight talk Express' from the 2000 primary campaign. "Big Red Son" is gonzo reporting on the AVN awards (the 'Oscars of porn') at Las Vegas in the late 1990's. He reviews John Updike's last book as an exemplar of the end of the GMN's (Great Male Narcissists), who are a literary contrast to DFW's multi-centered fiction writing. He reviews (and trashes) the trendy ghostwritten sports biography in "How Tracey Austin Broke My Heart." In "Host" DFW profiles a conservative radio talk show host's manipulation of listeners' emotions. DFW also celebrates the new translation of Kafka's The Castle and the new biography of Dostoevsky - two of DFW's favorite writers.

Check out these wide-ranging essays by a great American thinker. Also look into the essays in his earlier collection A Supposedly Fun Thing I'll Never Do Again. Cheers!
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Carlos Dorneles
5.0 out of 5 stars Os temas mais variados nos olhos (e mente) de Wallace
Reviewed in Brazil on April 14, 2019
DFW utiliza sua graça, estilo e linguagem para trazer reflexões, risadas e imersão na realidade que está descrevendo e analisando.

Ensaios maravilhosos sobre os mais variados assuntos: a aparente vacuidade das biografias de atletas, a ética de comer animais, a política e ética nas normas de linguagem, a loucura de uma eleição, o surrealismo do pornô, o ethos de programas políticos de rádio, entre outras coisas.

Vale a pena comprar a edição física, pois o último ensaio “Host” é diagramado de uma maneira que não se transpõem no kindle e, por isso, não está presente ali.
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EDWARD ROZZO
5.0 out of 5 stars For anyone who loves David Foster Wallace
Reviewed in Italy on June 21, 2019
Obviously, David Foster Wallace was some kind of extraordinary wit, intellect and observer. His command of the English language is truly overwhelming and delightful in the most subtle of ways. As a reader, you've got to pay attention, but you are rewarded with an extraordinary view into the mind of a kind of genius who looked at the world around him with crystal clarity, obsessive honesty and his feet planted firmly on the ground. He spins and twirls webs of meaning around the most common events, exploding little epiphanies in your mind as he wades through the absurdity of his own perceptions.
Ravi
5.0 out of 5 stars Genius
Reviewed in India on July 3, 2018
DFW is so good it's almost depressing for aspiring writers to read him. Genius overflowing all over it, in every paragraph and footnote.
P.s- prepare for footnotes of footnotes, which are arguably more entertaining the main passages themselves.
5 people found this helpful
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Eilidh
5.0 out of 5 stars Genius
Reviewed in the United Kingdom on August 10, 2018
Ted Kluck is one of my favourite writers, and one of Ted Kluck's favourite writers is David Foster Wallace. Thus it was that I picked up this collection of essays by the late Wallace, and I am so glad I did.

"Consider the Lobster" is one of ten essays in this book, whose subjects range from the sublime (a thoughtful review of Professor Joseph Frank's biographical works on Dostoevsky) to the faintly ridiculous (the titular essay referring to a lobster food festival). What I really love about every single one of these essays is that Wallace's tone and voice is so clear in every one, even though the subjects and styles of essays are so different. While some of the subject matter is pretty risqué (the first essay is an account of a visit to a major porn industry convention), Wallace writes with such humanity and desire to see the heart behind what often seems heartless (another essay deals with politics, with Wallace joining the McCain2000 campaign for a week).

Stylistically and artistically as well, these essays are a joy to read: "Authority and American Usage" is an essay reviewing Bryan A Garner's 'A Dictionary of Modern American Usage', and is hilarious in its intelligence and (not particularly) gentle mocking of the very concept of a book describing the American use of language. Not that he doesn't see the need or interest in such a volume, but rather Wallace makes a point of using as much language as physically possible.

Any good artist makes you want to be a better artist yourself, and this collection of writing both shows how writing can be great and entertaining no matter what the subject, and makes me want to be a much better writer and thinker. Wallace wrote thoughtfully and (I think) with fairness and clarity, and ten years after his tragic death, it's a real shame that he is not here to try and dissect the world as it looks now. I enjoyed these essays very much and am looking forward to getting a hold of more of Wallace's writing as soon as I can.
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xepe71
3.0 out of 5 stars Difícil de seguir.
Reviewed in Spain on September 18, 2017
No digo que no esté bien, pero el inglés que utiliza es algo técnico. Son artículos largos o ensayos que van tratando distintos temas (convención anual de pornografía, Kafka, etc. Muy variado). Me cuesta seguir y lo tengo dejado. Me hubiera gustado tenerlo en castellano.
En cuanto al autor, es una referencia entre los escritores de este siglo.
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