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V for Vendetta Paperback – November 17, 2020
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In the near future, England has become a corrupt, totalitarian state, opposed only by V, the mystery man wearing a white porcelain mask who intends to free the masses through absurd acts of terrorism.
- Reading age1 year and up
- Print length288 pages
- LanguageEnglish
- Dimensions6.65 x 0.67 x 10.12 inches
- PublisherDc Comics
- Publication dateNovember 17, 2020
- ISBN-101779511191
- ISBN-13978-1779511195
From #1 New York Times bestselling author Colleen Hoover comes a novel that explores life after tragedy and the enduring spirit of love. | Learn more
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About the Author
David Lloyd has been working in comics since 1977. Amongst his most favored works are Sláine: Cauldron of Blood, Night Raven: House of Cards, Aliens: Glass Corridor, Weird War Tales, Gangland, Dark Horse Presents 86, The Horrorist, Marlowe: The Graphic Novel, Hellblazer: Rare Cuts, War Story: J For Jenny, War Story: Nightingale, and Kickback.
Product details
- Publisher : Dc Comics (November 17, 2020)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 1779511191
- ISBN-13 : 978-1779511195
- Reading age : 1 year and up
- Item Weight : 15.7 ounces
- Dimensions : 6.65 x 0.67 x 10.12 inches
- Best Sellers Rank: #5,412 in Books (See Top 100 in Books)
- Customer Reviews:
About the authors
Alan Moore is an English writer most famous for his influential work in comics, including the acclaimed graphic novels Watchmen, V for Vendetta and From Hell. He has also written a novel, Voice of the Fire, and performs "workings" (one-off performance art/spoken word pieces) with The Moon and Serpent Grand Egyptian Theatre of Marvels, some of which have been released on CD.
Bio and photo from Goodreads.
David Lloyd (born 1950) is a British comics artist best known as the illustrator of the story V for Vendetta, written by Alan Moore.
Lloyd was born in Enfield, London.
Bio from Wikipedia, the free encyclopedia. Photo by Nightscream (Own work) [CC BY 3.0 (http://creativecommons.org/licenses/by/3.0)], via Wikimedia Commons.
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book engaging and enjoyable. They praise the graphic novel's quality, describing it as amazing and among the greatest adult graphic novels ever released. The artwork is described as dark and gritty, painting the overall picture in a way that makes the reader feel immersed. Many readers consider the book a good value and worth reading more than once. The story provides food for thought and provokes thought about today's society. Characters are well-developed and unique. However, opinions differ on the writing quality - some find it well-written and compelling, while others find it basic and gritty.
AI-generated from the text of customer reviews
Customers find the book engaging and enjoyable. They appreciate the colors that match the tone of the story. The book is described as one of the best graphic novels of today.
"...The novel is a powerful and intelligent story that's a classic of its genre, one that is far more complex than it seems..." Read more
"...David Lloyd's artwork here complements Moore's great story very well and brings across the feeling of dread and despondency very keenly for the..." Read more
"...This is compelling reading, and raises the story above usual comic fare. The Guy Fawkes mask was a stroke of genius by the authors...." Read more
"...Five Stars! Good Read!!" Read more
Customers enjoy the graphic novel's quality. They find it amazing, with compelling dialogue and literary depictions. The book makes you think and deals with real themes. It's a favorite among readers, making it a great gift.
"...to the public, his tone is, as it almost always is, theatrical and humorous...." Read more
"...This ranks among the greatest adult graphic novels ever released and this version is a nice addition to your library. Highly recommended!" Read more
"V for Vendetta is probably the best graphic novel I have yet read. The art is dark and gritty, and the story is all about an ideology...." Read more
"...Overall artwork and story amazing, was a fan of the movie and was excited to finally find reading material on it👍🏻✨..." Read more
Customers appreciate the art style. They find it amazing, gritty, and haunting. The sketches on the back pages are a nice bonus. The book has the original manuscript and artwork, showing the growth of the story.
"...sport an almost comical grin whilst sowing chaos, and each is flamboyant in dress (a purple suit here finding its counterpart in long hair and cape)..." Read more
"I recently read this for the first time. Wow. What a great story! A very cool, unique hero. Somewhat like Batman, somewhat like the Joker...." Read more
"...The art is dark and gritty, and the story is all about an ideology. If you've seen the movie, but haven't read the novel yet, do so...." Read more
"As other commenters have mentioned, the image reproduction quality is pathetic...." Read more
Customers find the book a good value. They say it's worth reading more than once and is a treasure. The story develops characters with motives, values, and even love.
"...the book remains so popular - and for this reason it warrants an enthusiastic recommendation." Read more
"If you haven’t read it, it’s worth the time and money to experience it." Read more
"...It is certainly worth more than one read and deserved being treated as a treasure in a personal library...." Read more
"...before reading it, so I knew it could be disappointing, but it was worth it...." Read more
Customers find the book interesting and provocative. They say it explores themes of subversion and resistance. Readers consider it a great social commentary and relevant today, especially in today's political climate.
"...However, as always with Moore this graphic novel does give food for thought as did George Orwell'S 1984. Five Stars! Good Read!!" Read more
"...It follows an ideology from begining to end, without deviations or setbacks. It shows a system being torn apart, twisted and turned upside down...." Read more
"...is particularly relevant in today's political climate, the resonance of the message is part of its timelessness...." Read more
"...all of its details, and the dialogue may seem simplistic but has strong intent, riddled with metaphors and historical context...." Read more
Customers appreciate the well-developed characters and unique hero. They find the characters take on different shades of meaning that help paint an overall picture for the reader.
"...Wow. What a great story! A very cool, unique hero. Somewhat like Batman, somewhat like the Joker. A vigilante, a terrorist...." Read more
"...Characters take on entirely different lights and paint the overall picture in a way to make the reader even more ambivalent about dolling out titles..." Read more
"...and the characters are rather well fleshed out...." Read more
"...This is especially bad for the female characters, and that's magnified further still by the scenes taking place in the more stylized location of the..." Read more
Customers have mixed opinions about the writing quality. Some find it well-written and compelling, with gritty text and mature script. Others find it difficult to read compared to traditional novels, with hokey writing and wordiness. Overall, opinions vary on whether the book is a quick read or not.
"...V seems like a reactionary beast, ala the Joker, he is actually a deep planner, though there's no way to tell exactly what was planned and what was..." Read more
"...It can get a bit wordy, but I prefer that anyway. If you're looking for a comparison to the movie, I'll say this...." Read more
"...From the opening scene on, it's great stuff. The dialogue especially is exceptional. I really liked the artwork also...." Read more
"...with artistic depictions and through you're imagination with well written dialog...." Read more
Customers have different views on the story quality. Some find it gripping, poignant, and intense. Others feel the writing is hokey and the story lacks depth, nuance, and social context. The second act is boring for some readers, making it difficult to follow along with the story.
"...Lloyd's art style is a dark one, realistic in feel for all but V, who struts across the page while fitting in as (brilliantly) poorly with his..." Read more
"...some of the issues showcased here are still relevant and would resonate with readers...." Read more
"...IMO, the ending is a dud. Things go bang but who cares?" Read more
"...Even though you can often predict where it is going, it is still very satisfying. The near future envisioned also holds up well...." Read more
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Good Book - but it came with a splotch in the cover
Top reviews from the United States
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- Reviewed in the United States on April 10, 2011Alan Moore's V for Vendetta explores power, morality, and responsibility, and it manages - incredibly enough - to do justice to all three themes. The novel is a powerful and intelligent story that's a classic of its genre, one that is far more complex than it seems (and it doesn't seem particularly simple to start off with).
[Note: the following review contains SPOILERS]
The first thing that has to be understood about V for Vendetta is that it's a text filled with questions and bereft of answers, both on a large and small scale. Who is V? We never find out. We find out just enough to create a compelling theory, and we know the sensational parts of his back-story, but everything from his name to his childhood is obscured. V is an enigma, and he remains an enigma, the actual man insignificant when compared to what he represents. As he says: "There's no flesh or blood within this cloak to kill. There's only an idea. Ideas are bullet proof." (p. 236) He does not fit the archetype of hero. His every action, from his outlandishly disguised identity to his quote-filled dialogue, is fit more for the stage than for the battlefield.
In mannerism, the character he most resembles is the Joker. Both came from backgrounds of chemicals and insanity; the joker (depending on your origin story of choice), some kind of deviant who fell into a chemical vat, and V a man sorely abused and altered by hormonal testing at a concentration camp. Each of them sport an almost comical grin whilst sowing chaos, and each is flamboyant in dress (a purple suit here finding its counterpart in long hair and cape) and actions. This Vicious Cabaret of V for Vendetta's second act and the humorous man-as-employee speech of his is even similar to the Joker's song in Moore's Killing Joke (released shortly after V's serialized beginning). Of course, that's not to suggest that This Vicious Cabaret is equivalent to the Joker's song or V to the Joker. Joker maliciously cackles and spouts discontinuities and absurdities; V soliloquizes and quotes Shakespeare, a Joker tied to an enormous and incomprehensible intellect and pitted against a foe so dark that the maniacal one of the pair is actually the hero. Norsefire, too, can be roped into the comparison. Completing the utter inversion of your archetypical comic book, the villain here is Batman. Batman and Noresefire both overpower their foes with technologies and are muted in tone when compared to the vibrancy of their antagonists. More importantly, both emphasize order over everything else; Noresefire perhaps being comparable to Batman's utopia gone awry, crime prevented at all costs. Perhaps this was the end that Fox feared when Batman showed his technological mastery as The Dark Knight came to a climax.
So V is the good guy. But can you really call him that? V is a revolutionary and not in the blandly heroic sense. There are hard choices that must be made when overthrowing a society, and V does not hesitate to make them. He kills again and again over the course of the novel. Some of his victims are the high ranking fascists of Norsefire, and so the reader can, perhaps, give him a pass on that, thinking that tyrants deserve what they get. What's harder to excuse are those that die along the way. V blows up several government installations, not only killing the leaders but every man inside from sadistic secret policemen to janitors. As we see in Vertigo (one of the two bonus chapters), V can even be sadistic in his pursuit of his goals, not only killing his enemies but striving to emulate their methods and degrade them even in the moment of their demise. Harder still to excuse is the psychological torture that V causes, both to Rose Almond and to Evey, whom he'd led to believe he would protect. V was made who he was through the brutality of Norsefire's concentration camps and experiments, yet he has no qualms about using the same methods to achieve his own ends; he has willingly embraced the effectiveness of the enemy in his attempt to bring them down.
In addition to taking Norsefire's physical and interrogative methods, V usurps Norsefire's symbolism. Norsefire was a fundamentally unapproachable dictatorship that communicated with the people by trying to make itself both unquestionable and down to earth. The voice of Fate accomplished both tasks, undoubtable due to its moniker and its lack of competitors and relatable by means of helpfully reporting the weather in the midst of its warnings. In order to compete, V needs to be more than a man. His guy fawkes mask becomes an icon, the mystery of his identity a larger than life dilemma that the government cannot solve. When he appears to the public, his tone is, as it almost always is, theatrical and humorous. Like the supposed voice of the computerized Fate, he sets himself apart from those he addresses even as he claims to have their own best interest at heart.
And yet one of Norsefire's directors says that the the Noresfire regime never capitalized on symbolism, a statement that is simply bewildering. Norsefire is a totalitarian regime styled on the Nazis. Yet it claims to have avoided symbolism. How is such a thing even possible? Furthermore, the claim flies directly in the face of the regime's use of the voice of fate. Thinking further, however, I realized that - with the exception of Fate - Norsefire is curiously devoid of the common trappings of an oppressive regime. There is no one unified style to the cities. The enforcement of law is left to openly acknowledged thugs recruited off the street, lacking even a recognizable uniform. Cameras are watching, yet we never see them do it. We're told that Norsefire is evil and invasive, and we get proof of it to some extent in the first chapter's sting operation (though, to be fair, such a thing's not so outlandish that you need a fictional tyrant to conceive), but examples after that are hard to come by. Moore and Lloyd are so focused on depicting Norsefire's fall that they essentially neglect its rise and reign. We see incredible brutality from flashbacks, but the present day storyline shows Norsefire as nothing much besides a tad evasive. Without ever seeing its effects on a significant number of characters, it's hard to feel the organized evil that we are obviously intended to feel. Still, such things are easy to forgive. After all, the strength of Moore's writing isn't what it says about his fictional world but rather about what it says about our own.
V is an idealist. He is fighting for equality, yes, but he is not fighting for justice. V is, as he himself proclaims time and time again, an anarchist. This is not a sugar coated anarchism, soon evolving into democracy or whatever model of a just society you, the reader, happen to believe in. No, V's byword is chaos, and disorder is his ultimate aim. As V asserts more and more of his power, and as the state crumbles around him, we are not entering a utopia. The dubious morality of the opening - prostitutes accosted, killed, and raped by secret policemen - is exchanged for a world of lootings and riots. Will this transition into something better, the security of Norsefire without the oppression? There's no way to tell, but it's plain that V could never bring such a world around, could not even stand aside and let it happen. That is why Finch, Norsefire's arbiter of justice, must kill him.
Finch is, in many ways, comparable to V. He shares V's desire for equality and admits to himself that he knew that Norsefire was wrong, oppressive, and unjust all along. And yet he went along with them, joined them, played a part in leading them. Why? His own answer is weakness, but it's not clear that things are so simple. V focuses exclusively on the big picture. In order to bring down Norsefire, he will do anything. On a personal scale, V commits horrible crimes. He is no common criminal, though, but rather a revolutionary; these small crimes are steps along the way. The people he killed entering the television station were necessary in order for him to broadcast his message and help the general good.
Finch chooses the opposite path. He is a police officer. For him, the personal crimes against individuals cannot be allowed to continue; he must hunt V down, no matter the cost or overall morality of the hunt, because V has killed those around him. In return, Finch does his best to turn a blind eye to the overall results of Norsefire's actions. Unlike V, however, Finch is conflicted and unsatisfied with his choice. His world does not allow for the black and white absolutes of V's. The regime he supports puts monsters on the streets and gives them guns and uniforms. It leads to rapes and murders on scales small and large, injustices that Finch cannot account or atone for. Pushed away from that society, however, Finch is cut adrift and wanders, aimless.
What will happen to society after V's death? It is obvious that Norsefire was inimical to freedom and justice, and it is equally obvious that V's perfect, utopian anarchy cannot last. But what is to replace it? We're left, at the end, with Evey behind V's mask, a new symbol to lead us into a new world. But what kind of person is Evey? The Evey of the novel's beginning is obviously unsuitable for such a role. She bends her principles for her survival, an action too human to be grandly symbolic. Left without enough to eat, she tries to turn to prostitution, and only V's timely arrival averts her untimely death. The Evey of the novel's middle is, likewise, ill-fitting. She goes so far as to become happy with the enemy, living with one of Norsefire's leading members and managing to turn a blind eye to the pain all around her. The Evey of the novel's end, however, is a very different beast. Brought to and then over the brink by V's molding, by his cruelty, she rejects her own wellbeing for the sake of her principles. She is, finally, fit to take V's place. But is she fit to usher in a new world? She was, after all, made in the same way that V was. Is it possible to make two different creations with the same method? There's no way to know. Our only hint to the positive comes when V offers her vengeance - and she declines. There is, as the novel closes, a chance that things will change for the better. And, of course, a chance that they will simply deteriorate further.
Towards the novel's end, V says: "There is no coincidence, only the illusion of coincidence." Though V seems like a reactionary beast, ala the Joker, he is actually a deep planner, though there's no way to tell exactly what was planned and what was a welcome coincidence. Every layer seems more impossible than the last, and yet each seems to support itself. However far down his machinations go, V is a master manipulator, and he plays the characters of the novel like puppets. Though he does, on several occasions, fight himself, V is not an action hero. Once the initial stage of violence has passed, V's plan turns to one of building tensions and turning the hierarchy of Norsefire against itself.
When a key portion of your plot is concerned with the gradual changes in the relationship of a large cast, it's obviously instrumental that that cast be both expansive and, more importantly, distinctive. The cast list seems to grow exponentially as the novel progresses, and some of the minor players can be hard to keep track of, but the various character driven twists of the ending feel organic and natural. Moore proves capable of characterization with only a few words, and the juxtaposition of scenes is excellent, though not quite to the degree of Watchmen. One scene shows various key Norsefire members conspiring in the pews while a preacher gives his oration, his words manipulative and apocalyptic while the various members of the directorate muse on V's actions and their own.
V for Vedetta doesn't distribute its pages equally among its characters. There's always one dominant storyline running, and other characters either appear in the periphery or not at all. As to what that dominant story is, the focus shifts considerably over the course of the novel, and there are quite a few sections focusing on events almost unrelated to V (though generally caused by him). These subplots are given their own space to develop, which makes the individual issues/chapters satisfying in their own right. On the other hand, some events that are never given the spotlight end up coming out as shallow. The head of Norsefire's dependence on Fate is well established, but how quickly he turns into a slobbering mess after Fate is gone makes it hard to imagine him ever coming to dominate a high school technology class, let alone the UK.
Lloyd's art style is a dark one, realistic in feel for all but V, who struts across the page while fitting in as (brilliantly) poorly with his background as he does with his world. The best part of the art is that it is mature. This is a gritty text, devoid of the juvenility of sound effects and their ilk. All that being said, Lloyd seems to struggle with the volume of characters. I can't conclusively say how much is the fault of his style and how much is a simple result of my relative unfamiliarity with the graphic form, but the secondary and tertiary members of the cast easily blend together, and a few main characters are, at times, difficult to distinguish. This is especially bad for the female characters, and that's magnified further still by the scenes taking place in the more stylized location of the nightclub; I'll admit that I had to reread an entire section because I wrongly identified the acting character in just about every frame of it.
If you're looking for a heroic read, something filled with heroes for whom you can stand up and cheer, V for Vendetta will fill your expectations for a handful of pages before leaving you cold and alone, sickened by what's passed. This world is sprawling, both alien and familiar, and it's cast is treated horribly, often by the very people who (supposedly) have their best interests at heart. Though Moore isn't always successful at displaying life under Norsefire's regime, he's a master at showing how his characters attempt to cope with such a reality. In interviews, Moore's said that the inspiration for the book was his unease with Thatcher's government. Nowadays, in a world scarred by the twin towers burning, it would be perfectly justifiable to read the text as an examination of terrorism and the methods used to combat it. I predict that, decades from now, other potential readings will appear and will be just as valid, because what Moore's created here truly transcends the years in which it was written and the paper that it's written on.
- Reviewed in the United States on April 1, 2018This was controversial when it was released in the 80s and it's easy in retrospect to see why as even today at least some of the issues showcased here are still relevant and would resonate with readers. Alan Moore, a self-described "anarchist", presents us with his manifesto or world-view here in graphic novel form. This is certainly one comic that is meant for adults and like any true classic I found myself getting even more out of subsequent readings. Moore tells us that what ills the world is humankind's senseless need and desire to delegate the "chore" of thinking for itself to others and that the choices for these roles of authority frequently fall way short of the mark and end up making the collective ever more miserable while the few sociopathic individuals that are put into places of authority not only abuse their powers but also go to great lengths to hang on to said power requiring in the end painful sacrifices to be made by the masses to overcome the damage done. Frequently selfless individuals have to make great personal sacrifices to achieve this as leaders of a revolution but in the end is this just a vicious cycle doomed for repetition or will humankind ever learn and break this cycle?
Examples Moore uses here include the various kinds of authority from the top to the bottom i.e. the government, the police, organised religion down to the personal level of the abusive spouse in an organised structure called marriage. Moore shows that frequently when this happens it is the vulnerable in society such as the minorities of every kind be it racial. social strata or gender affiliation that are scapegoated and persecuted. Society ends up poorer for the lack of diversity while under the delusion that uniformity and conforming to one standard way of thinking is ideal. When one looks at nature, incredible diversity appears to be the norm and yet humankind appears to want to go the opposite way and Moore's apologetic for his brand of anarchy to the point of quoting Aleister Crowley appears to be saying that the current "natural order" of things is actually unnatural.
This library format release is pretty decent with a page size and texture about the same as your comic floppy. The binding is glued and a little tight but my copy on a flat surface stays open from page 9 i.e. the start of the story itself and there is little to no gutter loss for the most part. No dust cover here so what you see is the hard cover design itself. There are short intros by both Moore and Lloyd to start and an article by Moore from an issue of Warrior #17 at the end. David Lloyd's artwork here complements Moore's great story very well and brings across the feeling of dread and despondency very keenly for the reader to experience.
This ranks among the greatest adult graphic novels ever released and this version is a nice addition to your library.
Highly recommended!
Top reviews from other countries
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PalomaReviewed in Brazil on December 21, 2023
5.0 out of 5 stars Otimo
Dei pro meu namorado de presente porque ele queria muito,chegou certinho.
- GreyGodReviewed in Canada on May 18, 2022
5.0 out of 5 stars Good story and good art
The story is good, makes you think. The art is good too. Only complaint is the quality of the paper, but not a huge problem.
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MartinaReviewed in Italy on September 10, 2023
5.0 out of 5 stars Stupendo!
Trama, disegni, dialoghi TOP. Prodotto di qualità sia per contenuto che per fattura 🥰 copertina flessibile, leggero
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Christian G.Reviewed in Sweden on March 4, 2023
5.0 out of 5 stars Toppen!
Mycket snabb levererans, säkert paketerat, fin kvalité.
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Jéssica FidalgoReviewed in Spain on October 21, 2022
5.0 out of 5 stars Estado impecável e Entrega rápida
Veio mais cedo que o esperado, o que foi bom. Veio em ótimo estado!