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PreSonus Quantum HD 8 26 x 30, 32-bit / 192 kHz USB-C Audio Interface With Studio One Pro Software

4.4 out of 5 stars 279 ratings
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Style: Quantum HD 8
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Purchase options and add-ons

Brand PreSonus
Compatible Devices Personal Computer, Headphones
Supported Software Studio One
Connectivity Technology USB
Number of Channels 26

About this item

  • LOW-HIGH PERFORMANCE SIGNAL FLOW. Our custom low-latency driver provides exceptionally low audio latencies when recording, and high-performance converters complete the front end to ensure that you sound your best throughout your entire signal chain.
  • ALL-NEW MAX-HD MIC PREAMPS. The Quantum HD 8 features eight newly designed mic preamps with +75 dB of gain. Our high-definition MAX-HD preamps are transparent, low-noise, and digitally-controlled analog, making them ideally suited to today’s most popular microphones
  • CO-DEVELOPED WITH FENDER. Built by the best ears in the business, guitarists and bassists will love the instrument input co-developed with Fender engineers – industry experts who designed them specifically for guitar and bass.
  • PRO RECORDING SOFTWARE LICENSE INCLUDED: Studio One Pro perpetual license.
  • AUTO GAIN. An Auto Gain button sets the perfect gain level for your microphones and instruments, so you get the perfect take every time.
  • RE-AMP OUTPUTS. Re-amp audio directly from your DAW and use amps and effects to sculpt your sounds. Send audio from your DAW to your guitar or bass amp and re-record it to experiment with different amps, pedals, and mic placements.
  • UNIVERSAL CONTROL APP. Quantum works on any mobile or desktop device, so you’re ready to record whenever inspiration strikes – whether on your phone, tablet, or in your home studio. Critical preamp functions like preamp gain, phantom power, and more can be controlled with the Quantum HD 8’s flexible front panel, or right from Studio One and the Universal Control app, so you can dial in the perfect gain staging without looking away from your recording session.

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This item: PreSonus Quantum HD 8 26 x 30, 32-bit / 192 kHz USB-C Audio Interface With Studio One Pro Software
$999.99
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Product information

Item Weight 6.3 pounds
Product Dimensions 8.6 x 19 x 1.7 inches
ASIN B0CTFPQDTM
Item model number Quantum HD8
Customer Reviews
4.4 out of 5 stars 279 ratings

4.4 out of 5 stars
Best Sellers Rank #4,236 in Musical Instruments (See Top 100 in Musical Instruments)
#36 in Computer Recording Audio Interfaces
Date First Available May 8, 2024
Compatible Devices Personal Computer, Headphones
Supported Software Studio One
Operating System Windows, macOS

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PreSonus Quantum HD 8 26 x 30, 32-bit / 192 kHz USB-C Audio Interface With Studio One Pro Software


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Product Description

Power your project with the Quantum HD 8 – the recording interface for project studios and full band recordings. The culmination of 30 years of innovation, the Quantum HD 8 features eight newly redesigned high-definition MAX-HD mic preamps with +75 dB of gain – making it ideally suited for today’s most popular microphones. Guitarists and bassists will love the instrument inputs, which were co-developed with Fender engineers. An Auto Gain button sets the perfect gain level for your microphones and instruments. You also get two re-amp outputs so you can send audio from your DAW to your guitar or bass amp and re-record it to experiment with different amps, pedals, and mic placements. An illuminated push encoder provides flexible control over gain level and output volume, and bright and responsive LED metering provides easy visual feedback for your outputs – making it great for self-produced recording.

Top Brand: PreSonus

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From the manufacturer

white background, 2 floating audio interfaces, blue text, dynamic black and blue rectangular product

Introducing the all-new Quantum HD audio interfaces.

The culmination of nearly 30 years of design experience, the 26 x 30 Quantum HD 8 audio interface leverages the legacy of high-end PreSonus studio products to create stunning high-fidelity performance.

Quantum HD 8 benefits, re-amp outputs, fender developed inputs, professional DAW included

For project studios and full band recordings.

The HD 8 features eight newly redesigned high-definition MAX-HD mic preamps with +75 dB of gain – making it ideally suited for today’s most popular microphones. Guitarists and bassists will love the instrument inputs, which were co-developed with Fender engineers. An Auto Gain button sets the perfect gain level for your microphones and instruments. You also get two re-amp outputs so you can send audio from your DAW to your guitar or bass amp and re-record it to experiment with different amps, pedals, and mic placements. An illuminated push encoder provides flexible control over gain level and output volume, and bright and responsive LED metering provides easy visual feedback for your outputs – making it great for self-produced recording.

Quantum HD 8
Quantum HD 2
Quantum ES 4
Quantum ES 2
Quantum 2626
Studio 1824c
Customer Reviews
4.4 out of 5 stars 279
4.4 out of 5 stars 279
4.4 out of 5 stars 279
4.4 out of 5 stars 279
4.4 out of 5 stars 279
4.5 out of 5 stars 3,199
Price $999.99 $499.99 no data no data $599.99 $449.99
Digital Audio Converters (Bit-Depth & Max Sample Rates) 32-Bit Resolution, Up to 192 kHz 32-Bit Resolution, Up to 192 kHz 24-Bit Resolution, Up to 192 kHz 24-Bit Resolution, Up to 192 kHz 24-Bit Resolution, Up to 192 kHz 24-Bit Resolution, Up to 192 kHz
Digital Audio Dynamic Range 124dB (DAC) 124 dB (DAC) 120dB (DAC) 120dB (DAC) 118 dB (DAC) 108 dB (DAC)
Mic Preamps 8 All-New MAX-HD Mic Preamps (Back Panel) 2 All-New MAX-HD Mic Preamps (Back Panel) 4 All-New MAX-HD Mic Preamps (Back Panel) 2 All-New MAX-HD Mic Preamps (Back Panel) 8 XMAX Mic Preamps (Front Panel) 8 XMAX Mic Preamps (Front and Back Panels)
Mic Preamp Gain Range +75dB +75dB +75dB +75dB 60 dB 65 dB
48V Phantom Power Discreet (Per Channel) Phantom Power Discreet (Per Channel) Phantom Power Discreet (Per Channel) Phantom Power Discreet (Per Channel) Phantom Power Grouped in banks (2 groups of 4) Phantom Power Global (All Channels Grouped) Phantom Power
Instrument Inputs 2 Front-Facing Dedicated Guitar Inputs Co-Developed with Fender 2 Front-Facing Dedicated Guitar Inputs Co-Developed with Fender 2 Front-Facing Dedicated Guitar Inputs Co-Developed with Fender 1 Front-Facing Dedicated Guitar Input Co-Developed with Fender 2 on combo jacks (Font Panel) 2 on combo jacks (Font Panel)
Main/Line Outputs 2 Balanced 1/4" TRS Main Outs, 8 Balanced 1/4" TRS Line Outs with Built-In Speaker Switching 2 Balanced 1/4" TRS Main Outs, 2 Balanced 1/4" TRS Line Outs with Built-In Speaker Switching 2 Balanced 1/4" TRS Main Outs, 2 Balanced 1/4" TRS Line Outs with Built-In Speaker Switching 2 Balanced 1/4" TRS Main Outs 2 Balanced 1/4" TRS Main Outs 2 Balanced 1/4" TRS Main Outs
Headphone Outputs 2 1/4" TRS Stereo (Front Panel) 1 1/4" TRS Stereo (Front Panel) 2 1/4" TRS Stereo (Front Panel) 1 1/4" TRS Stereo (Front Panel) 2 1/4" TRS Stereo (Front Panel) 2 1/4" TRS Stereo (Front Panel)
Additional Hardware Features Auto Gain, Universal Control App for Low-Latency Monitor Mixes & Loopback, 2 1/4" TS Re-amp Outputs (Front Panel), Dual ADAT Inputs, Multi-Function LED Push Encoder, Color HD Screen, Zero-Latency Mix Control, MIDI I/O (rear), USB-C Connectivity Auto Gain, Universal Control App for Low-Latency Monitor Mixes & Loopback, 2 1/4" TS Re-amp Outputs (Front Panel), Dual Optical ADAT Inputs, Multi-Function LED Push Encoder, Full-Color HD Screen, MIDI In/Out (Back Panel), USB-C Connectivity Auto Gain, Universal Control App for Low-Latency Monitor Mixes & Loopback, Zero-Latency Mix Control, MIDI In/Out (Back Panel), USB-C Bus Powered with Back-Up Aux Power Port Auto Gain, Universal Control App for Low-Latency Monitor Mixes & Loopback, Zero-Latency Mix Control, MIDI In/Out (Back Panel), USB-C Bus Powered with Back-Up Aux Power Port Thunderbolt 3 audio interface, 2 preamp out with returns, Dual Optical ADAT I/O, MIDI In/Out (Back Panel) Universal Control App for Low-Latency Monitor Mixes, ADAT I/O, MIDI In/Out (Back Panel), USB-C Connectivity
DAW Recording Software Access & Extras Included (Free) Studio One Pro Software License & 12 Months of Studio One+ Access Studio One Professional Edition Software License & 12 Months of Studio One+ 6 Months of Studio One+ with Access to Studio One Professional Edition 6 Months of Studio One+ with Access to Studio One Pro Studio One 6 Artist Edition Software License Studio One 6 Artist Edition Software License
Quantum HD 8, MAX-HD mic preamps, high-performance signal flow, presonus, pro studio

Power your project with Quantum HD 8.

  • High Performance Signal Flow – Custom low-latency drivers and low-noise converters.
  • All-New MAX-HD Mic Preamps – The culmination of 30 years of innovation, our rigorously redesigned preamps feature digitally-controlled analog with +75 dB of gain range.
  • Co-Developed with Fender – Front-facing instrument inputs engineered for guitarists by industry-leading experts.
  • Professional Recording Software Included – 12 months of Studio One+ add-ons, exclusive content, and tools, plus a perpetual license to Studio One Professional Edition.
  • Auto Gain – Dial in recording-ready levels, hassle-free.
  • Re-Amp Outputs – Re-amp audio directly from your DAW and experiment with amps and effects to sculpt your sounds.
  • Universal Control App – Full control and metering from your mobile device, desktop, or tablet.
  • Speaker Switching – With Universal Control, use your Quantum HD 8 as a speaker switcher to check mixes on two different speaker sets for accuracy.


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PreSonus Quantum HD 8 26 x 30, 32-bit / 192 kHz USB-C Audio Interface With Studio One Pro Software
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Price$999.99$499.99$649.99$329.00$499.99$399.95
Delivery
Get it as soon as Thursday, Apr 24
Get it Apr 24 - 25
Get it as soon as Thursday, Apr 24
Get it as soon as Friday, Apr 25
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Customer reviews

4.4 out of 5 stars
279 global ratings

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Customers say

Customers find the audio interface to be solidly built with amazing pre-amps, and appreciate its sleek design and low latency performance. The interface receives positive feedback for its sound quality, with one customer noting it works well with Neural DSP Architype plugins, and they consider it worth the money. They like the ease of setup, with one mentioning it can be used without installing any software, and another noting it's easy to use for recording needs. The functionality receives mixed reviews, with some customers reporting it works well with Mac Studio while others say it doesn't function as intended.

AI-generated from the text of customer reviews

15 customers mention "Sound quality"15 positive0 negative

Customers praise the audio interface's sound quality, with one mentioning it works well with Neural DSP Architype plugins, and another noting its compatibility with different headphones.

"...The USB data, however, is digital and not impacted by noise from your laptop...." Read more

"Big improvement over my old M-Audio Duo Track from a sound quality and latency perspective. Well built, looks great, very sleek...." Read more

"...Extremely content with the sound quality and I highly recommend it to anyone looking to produce music." Read more

"...I should mention that you WILL hear audio from your PC right out of the box when you plug the Q2626 in, so unlike jumping through hoops with live..." Read more

15 customers mention "Value for money"12 positive3 negative

Customers find the audio interface offers good value for money, with one customer noting that the plugins are worth the investment.

"...Presonus Studio One Pro are a match made in heaven and absolutely worth the money! A very hearty "buy" recommendation. Like now. Go buy it...." Read more

"...ton of research, this looks like it has the lowest latency and noice for the money." Read more

"...If you can deal with a few quirks then I think you'll find it worth your while as the quality of the audio makes up for any other shortcomings." Read more

"The product is really good. I'm happy with the recording quality" Read more

12 customers mention "Low latency"12 positive0 negative

Customers appreciate the audio interface's low latency.

"...Incredibly low-latency drivers on Windows 11. Very flexible routing options, including routing different channels to each headphone jack...." Read more

"...After doing a ton of research, this looks like it has the lowest latency and noice for the money." Read more

"Perfect audio interface for my solo studio. Super solid with low latency on MAC." Read more

"...It does seem to have very good drivers for Windows and the latency (RTL) was better than expected...." Read more

11 customers mention "Interface quality"11 positive0 negative

Customers find the audio interface excellent, with one customer noting its clean sound and another mentioning its ease of use for recording needs.

"Excellent interface. It started working right out of the box as soon as I connected it without installing any software at all...." Read more

"...I was able to set up all the electronic equipment and interface it with my MacBook...." Read more

"...Bits I liked: That being said it was a really good interface and form factor for my needs...." Read more

"...I really do like the device interface and ease of use but ultimately returned it and reinstalled my studio 192 which works flawlessly." Read more

7 customers mention "Ease of setup"7 positive0 negative

Customers find the audio interface easy to set up, with one mentioning it requires no software installation.

"...are dynamite and the auto-gain function is nice for quickly setting up an input channel! Incredibly low-latency drivers on Windows 11...." Read more

"...Well built, looks great, very sleek. Easy to set up and works well with Logic Pro...." Read more

"...working right out of the box as soon as I connected it without installing any software at all...." Read more

"...It's easy for any experienced audio engineer or hobbyist, and while it may be work for a beginner, once you get a track template set up and saved..." Read more

6 customers mention "Looks"6 positive0 negative

Customers like the appearance of the audio interface, describing it as sleek.

"I really like this interface. It's sleek and modern and high performing. Plenty of inputs and outputs for home / small studio use...." Read more

"...Well built, looks great, very sleek. Easy to set up and works well with Logic Pro...." Read more

"...It is a bit of a fingerprint magnet but it looks cool, it works great, it sounds great, and the auto-leveling feature is awesome!" Read more

"...Overall great sounding, beautiful looking on my desk and a ton of clear gain. Glad I bought Quantum and would highly recommend." Read more

4 customers mention "Build quality"4 positive0 negative

Customers praise the audio interface's build quality, particularly the amazing pre-amps, with one customer noting it should last many years.

"...Well built, looks great, very sleek. Easy to set up and works well with Logic Pro...." Read more

"...Quality is great too. Overall I feel this is a good unit for the money that should last many years...." Read more

"Perfect audio interface for my solo studio. Super solid with low latency on MAC." Read more

"...great from the get-go, latency is non-existent, the quality of the pre-amps is amazing, and also the 6 months of Studio One+ is a plus, finally I..." Read more

15 customers mention "Functionality"10 positive5 negative

Customers have mixed experiences with the audio interface's functionality, with some reporting it works great while others say it doesn't function as intended, particularly noting issues with standalone mode.

"I really like this interface. It's sleek and modern and high performing. Plenty of inputs and outputs for home / small studio use...." Read more

"...It connected but did not function as intended because I found out sooner than later that the UAD drivers were not optimize for Windows...." Read more

"...Well built, looks great, very sleek. Easy to set up and works well with Logic Pro...." Read more

"...and integrates really well with Studio One and also have tested working with Reaper DAW. Bits that are questionable:..." Read more

Better than UAD Apollo!
5 out of 5 stars
Better than UAD Apollo!
I'm also using the (ASUS ThunderboltEX 4 with Intel® Thunderbolt™ 4 JHL 8540 Controller) If anyone is wondering. I've picked up a UAD Apollo 2 weeks ago prior to this purchase to use on my Windows 11 PC and it was the worst decision I've made in my music production. It connected but did not function as intended because I found out sooner than later that the UAD drivers were not optimize for Windows. No matter how much I tried and It will work not as intended because of UAD's behalf. List of things I did to my PC just for the "UAD Apollo" to work (I DON'T WORK BTW) 1.Change the device settings in Device Manager like turn power saving on the apollo 2.Change unnecessary bios settings than potentially brake your pc for the apollo to "work" 3.Change Windows Sound settings to sync with the buffer size / sample rate 4.Give up cuz it ain't gonna work PreSonus Quantum 2626 process was, Plug and play right out the box so downloading and installing driver was a no brainer. Yes, I use Fl Studio. Yes, ~5ms is good enough to record vocals (with FXs). I'm glad with what I've purchased.
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Top reviews from the United States

  • Reviewed in the United States on March 6, 2025
    Style: Quantum ES 4Verified Purchase
    I really like this interface. It's sleek and modern and high performing. Plenty of inputs and outputs for home / small studio use. The pre-amps are dynamite and the auto-gain function is nice for quickly setting up an input channel! Incredibly low-latency drivers on Windows 11. Very flexible routing options, including routing different channels to each headphone jack. I will say that I picked up some noise on the headphone ports, which I traced back to my laptop. Used a power isolator (iFi iDefender Max) to fix. Not an issue with this audio interface. The USB data, however, is digital and not impacted by noise from your laptop.

    I'm *very* close to taking away one star, however, for being so picky... so, so, *so* picky... when connecting via USB-C! There's a convenient USB connection state light on the top of the interface: blue if connected to driver and amber if not. Connecting the interface to various Thunderbolt hubs failed to connect. Connecting via a USB-C hub uplinked to laptop via USB-4 @ 40 Gb/s also failed to connect. So, it's not just Thunderbolt. I could connect the ES 4 directly to the same Thunderbolt and USB-4 ports on my laptop and the interface initialized just fine. Also, using a USB-C to USB-A cable was a lot less picky, connecting through USB hubs just fine. In the end, even though your audio interface can't begin to touch USB speeds, I suppose it's to burn a port on your PC, for the lowest latency and cleanest signal path.

    I also really appreciate the free access to Presonus Studio One Pro 7 for 6 months. I'll still purchase it, but I get to play with their money for half a year. This interface and Presonus Studio One Pro are a match made in heaven and absolutely worth the money! A very hearty "buy" recommendation. Like now. Go buy it. Right now. :)
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  • Reviewed in the United States on March 27, 2025
    Style: Quantum ES 2Verified Purchase
    Big improvement over my old M-Audio Duo Track from a sound quality and latency perspective. Well built, looks great, very sleek. Easy to set up and works well with Logic Pro. After doing a ton of research, this looks like it has the lowest latency and noice for the money.
  • Reviewed in the United States on April 4, 2025
    Style: Quantum HD 8Verified Purchase
    Excellent interface. It started working right out of the box as soon as I connected it without installing any software at all. Extremely easy to connect, and it sounds like liquid velvet. It offers me way more than I need at the moment, but at this price, you can't find anything that even comes close to this unit. Extremely content with the sound quality and I highly recommend it to anyone looking to produce music.
  • Reviewed in the United States on January 10, 2023
    Style: Quantum 2626Verified Purchase
    This is above all a great sounding interface. I recently moved to this platform from an old Focusrite Saffore Pro 40 Firewire. I still have that interface in my studio so I was able to A/B compare it with the Quantum 2626 Thunderbolt 3 interface.

    The difference in sound quality is immediately apparent. The best and most detailed comparison I could make between the two was by listening to the same audio tracks played on both interfaces through a pair of Sony Z1R headphones. The dynamics and overall clarity of the Q 2626 is far superior to the Pro 40. It's a major upgrade. Perhaps that is to be expected due to the difference in age between the two platforms but I was always happy with the sound of the Pro 40, until I heard the Q 2626.

    I'd like to point out (as other reviewers have) what is perhaps thr biggest flaw in this unit, the lack of any hardware monitoring for any of the audio inputs. That omission has been fairly criticized but it's not a dead end to your workflow that some other reviewers have implied. If you plug anything into the XLR/TRS inputs on the Q 2626 you WILL NOT hear it through the headphone jacks or the main outputs without doing more setup. This is not what most people are used to with their audio interfaces and I'd never encountered it in over 20 uears of audio production using many different audio interfaces in that time. In order to hear your microphone, guitar, keyboard or whatever you have plugged in to the Q 2626 you need to open your DAW software of choice and route the audio signal through there first. For example you plug your mic or instrument into the front panel of the Q 2626, then open a new project your DAW program of choice. I will use Cakewalk by Bandlab for example as it's a well known and free DAW but the steps will be roughly the same for any DAW like Reaper, Studio One, Pro Tools, etc.

    Open a new project in your DAW software and select or insert an empty audio track, then press the button on the track that will enable Live Monitoring. In Cakewalk that would be the "input echo" button right next to the Record Arm button on the audio track. Once you do that you should immediately hear the audio from whatever you have plugged into the Q2626. If not then make sure you have the input on your audio track in your DAW set receive audio from the Q 2626 input where your mic or instrument is plugged in (Cakewalk has a drop down menu on the track to select this) and make sure the output on the same audio track is set to the Master Out for your mix, AND that your Master bus is set to output to the Q 2626.

    It's easy for any experienced audio engineer or hobbyist, and while it may be work for a beginner, once you get a track template set up and saved you just need to reload it each time you need to monitor or record and you're all set.

    That being said I do not prefer this implementation and would have liked Presonus to include a hardware mixer built in. I can only hope it was a worthwhile trade off from a design and engineering perspective and not some plan to get users hooked on subscription based audio production software from Presonus or to buy one of their outboard hardware mixers.. Even cheap $50 audio interfaces have hardware monitoring and have forever, but maybe a quality hardware monitoring implementation would have been too expensive? I'm stretching to give Presonus the benefit of the doubt here. There is an idea that because this is a Thunderbolt 3 interface that latency is a non factor, but there is always monitoring latency, and it will become worse if you are recording in a project with 100-200+ audio tracks and running dozens of plug in effects forcing you to increase the buffer size and adding more latency to live monitoring. Most people don't have such needs though, and others who do cam get around it by upgrading their computer hardware to be more powerful if necessary.

    That being said what matters in the end to me is the quality of the audio this thing can produce. I don't think you can do better for the money. It's much better than I was expecting as having heard other Presonus interfaces in the past I was not impressed, but this unit is different and exceeded my expectations for audio quality by quite a lot.

    The preamps are full bodied and quiet even when turned all the way up. They also deliver great dynamics (to my ears) and the DI for guitar & bass excels in my opinion. It passes a very full, dynamic and clean DI signal that amp sims should love. It sounds great with Neural DSP Architype plug ins for example, partly because of the quality of the input from the Q 2626 preamp (use a good quality guitar cable too).

    Vocally the preamps also sound great to me, although there is likely better out there if you want to spend a lot more. These will be more than enough for most people if they have a decent mic to plug in.

    Another point I want to make is about the power plug on the back of the Q 2626. Yes it's a small plug similar to one you'd see on an external hard drive or laptop computer, but what's not readily apparent is that it's a twist-to-lock plug. You have to insert it and give it a press-twist to lock it in place. Once that's done the plug will not wobble and will stay in place much more securely.

    The power button on the back of the unit was a design mistake. It's rack mount so most people can forget about being able to use it once the interface is racked. You'd have to leave it on 24/7 or rig it through a power strip or similar that has it's own on/off switch. If it's sitting on your desktop it's less of a problem, or you can rack it on the bottom and leave an open space to get your hand behind it. The unit is not very deep, only about 6 inches so it's not too bad if you have to do this.

    Build quality is solid. The unit jas a good weight to it and the volume knobs have a nice resistance to them, they don't feel like cheap loose spinners.

    As for Thunderbolt 3 just make sure you are set up correctly if it's not a native feature of your computer. In my case I run Windows 10 x64 on an AMD CPU platform that I built. My motherboard (Gigabyte) has a Thunderbolt header on it and I'm using Gigabyte's Titan Ridge 2.0 Thunderbolt 3 PCI card. In my case I had to make sure I was using the correct PCI slot (the PCI x4 slot, usually located as the bottom slot on newer motherboards) and had to make sure the thunderbolt header on the motherboard was plugged into the Titan Ridge card and that both power cables were plugged into the back of the Titan Ridge card. You may also need a BIOS update to unlock thunderbolt fucntionality depending on the age of your BIOS. If you are an Intel or Mac user and your system came with native thunderbolt support you won't have to worry about any of this, which is great.

    Assuming you have your thunderbolt connection properly set up you should get very good speed from this interface. If you are a windows user there are things you can do to further improve performance and reduce latency like turning off HPET, disabling C-States, setting power modes to max performance, and more you can look up elsewhere.

    I should mention that you WILL hear audio from your PC right out of the box when you plug the Q2626 in, so unlike jumping through hoops with live hardware monitoring, you can plug in to your conputer and hear audio from websites or games or MP3/FLAC players, or anything else. Quality is great too.

    Overall I feel this is a good unit for the money that should last many years. If you can deal with a few quirks then I think you'll find it worth your while as the quality of the audio makes up for any other shortcomings.
    29 people found this helpful
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  • Reviewed in the United States on January 22, 2025
    Style: Quantum ES Ultimate BundleVerified Purchase
    I received the quantum ES ultimate bundle on the date promised. I was able to set up all the electronic equipment and interface it with my MacBook. However, it is required that you register the product with Presonus. After literally 25 attempts and the pre-Sonos website repeatedly rejecting the serial numbers for both the audio interface or the speakers, the only two items that actually have serial numbers, I am unable to download the software that is part of the deal. There is no product key included in any of the product or shipping documents. Therefore, all of this great stuff I just paid hundreds of dollars for is useless and you cannot find a telephone number or email address for product or tech-support without having first register registered and downloaded the software. I’m not a low tech individual. This just sucks. I’d expect more from Fender as a company. These things should not be as difficult as they are and it seems like the only option is to return all this try and get another bundle and see if the registration is any easier. But I doubt it.
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    1.0 out of 5 stars
    Registration nightmare!!!!

    Reviewed in the United States on January 22, 2025
    I received the quantum ES ultimate bundle on the date promised. I was able to set up all the electronic equipment and interface it with my MacBook. However, it is required that you register the product with Presonus. After literally 25 attempts and the pre-Sonos website repeatedly rejecting the serial numbers for both the audio interface or the speakers, the only two items that actually have serial numbers, I am unable to download the software that is part of the deal. There is no product key included in any of the product or shipping documents. Therefore, all of this great stuff I just paid hundreds of dollars for is useless and you cannot find a telephone number or email address for product or tech-support without having first register registered and downloaded the software. I’m not a low tech individual. This just sucks. I’d expect more from Fender as a company. These things should not be as difficult as they are and it seems like the only option is to return all this try and get another bundle and see if the registration is any easier. But I doubt it.
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  • Reviewed in the United States on March 29, 2025
    Style: Quantum ES 2Verified Purchase
    Perfect audio interface for my solo studio. Super solid with low latency on MAC.

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  • Marko K.
    5.0 out of 5 stars Erstklassige Soundqualität und geringe Latenz !!!
    Reviewed in Germany on October 13, 2024
    Style: Quantum ES 4Verified Purchase
    Dieses Audio Interface bietet sauberen Klang und sehr niedrige Latenz.

    Leider wird zusätzlich ein USB C Netzteil mit ausreichend Leistung benötigt was etwas versteckt beschrieben wird und nicht im Lieferumfang ist.

    Ich habe ein 100W Netzteil angeschlossen und damit funktioniert es einwandfrei.
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  • Yako
    5.0 out of 5 stars Una maravilla
    Reviewed in Spain on August 8, 2024
    Style: Quantum ES 4Verified Purchase
    Me gusta mucho y funciona perfecta.
    El acabado en metal oscuro queda mejor que en las fotos.
    Electrónicamente es una maravilla.
  • Tony Nucci
    5.0 out of 5 stars Ottima scheda usb
    Reviewed in Italy on July 22, 2024
    Style: Quantum ES 4Verified Purchase
    Avevo presonic studio One e volevo provarlo con la scheda usb srmpre della presonic. Infatti è un' ottima accoppiata, perfettamente compatibile.
  • Sandy Chahal
    1.0 out of 5 stars Preamp switch wrong button pattern
    Reviewed in India on January 11, 2025
    Style: Quantum ES 4Verified Purchase
    Preamp select button has 1-2-2-4 it should be 1-2-3-4
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    Sandy Chahal
    1.0 out of 5 stars
    Preamp switch wrong button pattern

    Reviewed in India on January 11, 2025
    Preamp select button has 1-2-2-4 it should be 1-2-3-4
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    Customer image
  • James Hein
    5.0 out of 5 stars An excellent audio interface especially for Studio One users.
    Reviewed in Australia on January 10, 2025
    Style: Quantum ES 4Verified Purchase
    I've had a few audio interfaces over the years with names like Focusrite and Audient. As a now PreSonus Studio One DAW user there are some additional connectivity features provided from this unit but it is also an excellent moderately priced audio interface that provides all the features I need. There are alternatives but after comparing across the market at the time, this one won out.