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Betty Hutton & Co-stars: The Paramount Years 1938-1952

5.0 out of 5 stars 9 ratings

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Editorial Reviews

Hollywood's Blonde Bombshell Betty Hutton first sang with Vincent Lopez' orchestra. This compilation tracks her early performances with Lopez right up through her glory years at Paramount Pictures in the 1940s. Taken from soundtracks, playback discs, radio previews and recording sessions (many from her own collection), this set is a treasure trove of rarely heard Hutton that is sure to please.

Product details

  • Language ‏ : ‎ English
  • Product Dimensions ‏ : ‎ 5.59 x 0.39 x 4.92 inches; 4.06 ounces
  • Manufacturer ‏ : ‎ Sepia Records
  • Date First Available ‏ : ‎ December 13, 2023
  • Label ‏ : ‎ Sepia Records
  • ASIN ‏ : ‎ B0CQ3VXWSY
  • Number of discs ‏ : ‎ 2
  • Customer Reviews:
    5.0 out of 5 stars 9 ratings

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Top reviews from the United States

  • Reviewed in the United States on January 19, 2025
    People who collect movie soundtracks know that the true gold standard for any movie soundtrack recording is the original unmixed music. The recordings that exist before the sound effects are added in or before the movie dialogue is placed over it has always been an underappreciated entity. That is especially true when going back in time to films that are decades old. The original music masters to many film classics have long ago been processed, mixed and in many cases ...discarded. They didn't realize back then that the music buying public would actually like to listen to the music before all the production elements were superimposed on top. MGM first got that sense when they created their own record label. Their first MGM record album produced happened to be a movie soundtrack. Back in 1946 music for home entertainment existed only on 78 rpm records and so to accommodate that format, the unmixed musical numbers from the Jerome Kern biopic picture "Till the Clouds Roll By" were used, but truncated and edited down to fit it's 3 1/2 minute max running time. The 4 disc 8 sided 78rpm album was a huge success and MGM was off and running with the "Movie Soundtrack" concept.
    Forward to today, many collectors started looking back in time to see if there was a way they could hear the long lost original unmixed songs and music ques from their favorite old films, especially since most of them never did get an official soundtrack album to begin with.
    Some collectors and fans figured out that the way to hear these lost musical gems were through the original pressings of playback discs that the studios would use when filming a scene or production number. The actors would do the staged performances on camera while lip syncing to the "Playback" discs created at the recording studio on the movie lot. Later on these recordings would be mixed into the film seamlessly with sound effects, etc. These discs were never meant for public purchase and some were ultimately donated to the Library of Congress or UCLA. Still others fell into the hands of private collectors.
    Enter Sepia Records. This reissue CD label got the wonderful idea of creating fabulous movie soundtrack albums as well as movie compilation soundtrack albums of certain movie stars using the pre-recordings originally pressed on studio playback discs. This, as well as commercial radio exploitation discs that were used back in the day as radio station promotions for movies often incorporating the original unmixed music tracks.
    These sources are vital to experiencing once in a lifetime performances from Bing Crosby, Deanna Durbin, Betty Grable, Alice Faye, Carmen Miranda, Don Ameche, Tony Martin...the list goes on and on. The orchestrations are extraordinary as well as the sound quality. Not since George Feltenstein at Warner Archives delved into the original master recordings of the MGM movie library back in the '90's has any one company gone to such great lengths to remaster and produce original studio soundtrack recordings from the golden age of the Hollywood musical. Congratulations Sepia Records for the painstaking work that goes into restoring these discs and in so doing....keeping the movie musical alive. These old recordings are fresh and vibrant and sound like they were printed just yesterday. Keep up the good work.
  • Reviewed in the United States on July 12, 2024
    Another class act from Producer Bryan Cooper with super rare rehearsal and tracking discs

    Album Producer for many of the Sepia label reissues like the two Alice Faye albums and the two 20th Century Fox compilations are aimed at serious film musical collectors. Me, I consider myself a “semi-serious” one since I like so many genres. But when I see Cooper’s name on the credits list I know I’m in for something I won’t find anywhere else. And his notes, in the 16-page colorful booklet inserted into the jewel box holding two CDs, put everything here is perspective. His opening sentence is “I’ve always been a Betty Hutton fan, and who isn’t?” let me know I’m in for a journey as I work though the 48 tracks (which range from a few seconds to 14 minutes (The Star Spangled Rhythm Radio Special”. One of the TWO tracks with “(Where are you) Now That I need you”, runs over seven minutes, but that’s because it’s a rehearsal recording and Hutton sings it through three times until she gets it done the way she wants it. (and, yes, there is a expletive here when she’s not happy)

    As another reviewer here said, there are “& Co-Stars here too. Perry Como, Bob Hope, Eddie “Rochester “Anderson, Bing Crosby and Mary Martin too.

    Some of these discs came from Hutton’s own private collection and nearly all the recordings here have never been on a commercial CD to my knowledge. Hutton doesn’t have as distinctive a voice as many singers and her career was not as long as others.

    But I thoroughly enjoyed this album (with Cooper providing the road map as well as the recordings used.

    Steve Ramm
    “Anything Phonographic”
    2 people found this helpful
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  • Reviewed in the United States on May 1, 2024
    Where to start on this fabulous new collection of Betty Hutton recordings:

    To begin with, finally “A Concert in the Park” is available on CD. Certainly not a classic Hutton recording, but it does demonstrate her early approach to singing…err…speaking…screaming. Then there are songs from the short films she made in New York before leaving for Hollywood in 1941. But the real treasures are the selections taken from Betty’s Paramount pre-recordings from her hit films such as Star Spangled Rhythm, Happy Go Lucky, And The Angels Sing, Here Come the Waves, Incendiary Blonde, The Stork Club, Somebody Loves Me and many more. The cleaned-up sound from these acetate playbacks and promo records is amazing. There are also wonderful rehearsal recordings from Somebody Loves Me with Joseph Liley at the piano demonstrating that no one was harder on Betty than Betty herself. Totally delightful though.

    As usual, the handsome booklet demonstrates Sepia’s loving care with their releases. Generously illustrated with colorful posters and photos, the intelligent liner notes by Bryan Cooper are at once informative and fun to read. I also appreciate that the sources for all of the material have been listed along with the recording dates. My only carp is that I was not involved in this project as I have been a fan of Hutton’s since I was fourteen years old when my neighbor and older cousin placed a pile of 78rpm records outside on the curb to be taken away by the sanitation department. Chief among those Sinatra, Crosby, Glenn Miller 78s was a Capitol record with Betty singing “Blue Skies,” first slow and easy and then moving to a swing tempo. Wonderful. (And included on the Capitol and DRG Hutton CDs.)

    I realize that Betty Hutton can be an acquired taste but I assure you that after listening to this collection you will find yourself moved by her interpretations of the ballads and smiling at her comedic numbers. Also appreciated are the co-stars from her films who are included on the discs; in particular hearing Mary Martin, Dick Powell and the Golden Gate Quartette sing “Hit the Road To Dreamland” is pure gold. A salute to producers Hisato Masuyama and Bryan Cooper.
    4 people found this helpful
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