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Maus I: A Survivor's Tale: My Father Bleeds History Paperback – Deckle Edge, August 12, 1986
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A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.
Maus is a haunting tale within a tale, weaving the author’s account of his tortured relationship with his aging father into an astonishing retelling of one of history's most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.
- Print length160 pages
- LanguageEnglish
- PublisherPantheon
- Publication dateAugust 12, 1986
- Dimensions6.56 x 0.46 x 9.13 inches
- ISBN-100394747232
- ISBN-13978-0394747231
- Lexile measureNP
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Breakdowns | The Complete Maus | In the Shadow of No Towers | The Wild Party | Maus Now | |
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4.6 out of 5 stars
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4.8 out of 5 stars
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4.6 out of 5 stars
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4.6 out of 5 stars
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Price | $19.55$19.55 | $17.27$17.27 | $50.90$50.90 | $16.77$16.77 | $15.59$15.59 |
This legendary 1978 collection of comics by Art Spiegelman, Pulitzer Prize-winning author of the best-selling Maus, presents the seminal early works that changed how comics are made and appreciated today—now with a new Afterword by the author. | The definitive edition of the Pulitzer Prize–winning graphic novel, containing parts I and II in one stunning volume—one of Variety’s “Banned and Challenged Books Everyone Should Read” | For the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11th were both highly personal and intensely political. In the Shadow of No Towers is a masterful and moving account of the events and aftermath of that tragic day. | Art Spiegelman's sinister and witty black-and-white drawings give charged new life to Joseph Moncure March's The Wild Party, a lost classic from 1928. | Illustrated with images from Spiegelman’s Maus, Maus Now includes work from 21 critics, authors, and academics—including Philip Pullman, Robert Storr, Ruth Franklin, and Adam Gopnik—on the achievement and innovation of Maus. |
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Product details
- Publisher : Pantheon (August 12, 1986)
- Language : English
- Paperback : 160 pages
- ISBN-10 : 0394747232
- ISBN-13 : 978-0394747231
- Lexile measure : NP
- Item Weight : 15 ounces
- Dimensions : 6.56 x 0.46 x 9.13 inches
- Best Sellers Rank: #4,814 in Books (See Top 100 in Books)
- #16 in Jewish Holocaust History
- #30 in World War II History (Books)
- #227 in Memoirs (Books)
- Customer Reviews:
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Beautiful and heartbreaking, great writing and drawing!
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Customer Review: CHILLING AND CALMING! NOT A GRUESOME READ.
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For the most part, I’m am not a fan of comic books, but Art Spiegelman’s art captivated me at an early age. Spiegelman is one of the original artists that contributed to my first childhood passion: Wacky Packages (trading cards/stickers that satirized common household products). While I didn’t initially connect the dots between the 70s fad and Holocaust-themed comic book, I now see the way Spiegelman attracts me to his work. There is a subtle complexity to his rather simple drawings that made reading MAUS both thought-provoking and memorable.
I found MAUS to be two stories presented as one. The main storyline is the story of his father Vladeck’s plight as a Jew living in Poland before and during World War II (just before he and his wife Anja are sent to Auschwitz). The second storyline is about the author’s relationship with his father, which is revealed as the son presses his father to talk about surviving the Holocaust. While the story of Spiegelman’s parents is certainly compelling, the metaphorical manner in which it is illustrated is what sticks. Spiegelman uses animals to represent groups/races of people in a way that reminds me of Orwell’s “Animal Farm”. Jews are presented as mice … meek pests/vermin that are easy to kill. Nazis/Germans are depicted as rather vicious cats (that kill the vermin) and Poles are shown as pigs (perhaps a reference to the fact that many Poles betrayed Jews in their country to the Nazis … in other words, swine). I found graphic metaphors ingenious as they add a significant emotional tone to the story being told. The Holocaust storyline comprises the bulk of the book’s illustrations with the father/son moments serving as bridges in between events. As we come to understand the suffering of Spiegelman’s parents, we learn that his mother (Anja) killed herself in 1968, leaving a large void in his life. There is an obvious yearning for Spiegelman to learn more about his mother through his father, yet the task proves to be challenging.
On the surface, the concept of a Holocaust-related “comic book” seems awkward, but I found MAUS to be a magnificent and poignant read. It is also hard to put down … I read the entire book without stopping in short order. I would highly recommend MAUS (and MAUS II, for that matter) for providing a provocatively unique perspective of the Holocaust. This series intrigued me enough to pick up a copy of “MetaMaus”, which meticulously (and exhaustively) explores the author’s motive for MAUS/MAUS II, as well as detailing more of his parents’ lives.
Complaints?
Hate to say it but I was looking for more tragic stories. What he went through was tragic but I feel this depiction is rated E for everyone. I wanted to read about aushwitz and how people survived but it's mentioned in the book. Not guesomely mentioned. Great book and shows life of people on the run. WATCH VIDEO.
Reviewed in the United States on January 5, 2024
Complaints?
Hate to say it but I was looking for more tragic stories. What he went through was tragic but I feel this depiction is rated E for everyone. I wanted to read about aushwitz and how people survived but it's mentioned in the book. Not guesomely mentioned. Great book and shows life of people on the run. WATCH VIDEO.
One school board member when objecting to this book, said "Why can't they teach a nicer Holocaust"! Is it really better to coverup what you don't like in history and teach a "nicer version"? To do that means teaching a lie, that the Holocaust was not that bad. How ridiculous!
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Reviewed in Brazil on December 19, 2022