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A Dozen A Day Anthology Paperback – Illustrated, June 1, 2016
Purchase options and add-ons
- Print length128 pages
- LanguageEnglish
- PublisherWillis Music
- Publication dateJune 1, 2016
- Dimensions9 x 0.33 x 12 inches
- ISBN-101495061167
- ISBN-13978-1495061165
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Product details
- Publisher : Willis Music; Pap/Psc edition (June 1, 2016)
- Language : English
- Paperback : 128 pages
- ISBN-10 : 1495061167
- ISBN-13 : 978-1495061165
- Item Weight : 1 pounds
- Dimensions : 9 x 0.33 x 12 inches
- Best Sellers Rank: #81,667 in Books (See Top 100 in Books)
- #63 in Music Techniques (Books)
- Customer Reviews:
About the author
Edna Mae Burnam (1907-2007) is one of the most respected names in piano pedagogy. She began her study of the instrument at age seven, with lessons from her mother, and went on to major in piano at the University of Washington and Chico State Teacher's College in Los Angeles. In 1935, she sold "The Clock That Stopped"--one of her original compositions still in print today. In 1937 Burnam began her long and fruitful association with Florence, Kentucky-based Willis Music, who signed her to her first royalty contract. In 1950, Burnam sent manuscripts to Willis for an innovative piano series comprised of short warm-up exercises; her hand-drawn, for-position-only stick figures indicated where "real" illustrations should be dropped in. That manuscript became the Dozen a Day series, which has sold more than 25 million copies worldwide; the stick-figure drawings are now icons. Burnam followed up on the success of A Dozen a Day with her Step-by-Step Piano Course. This method teaches students the rudiments of music in a logical order, for gradual and steady progress. She also composed hundreds of individual songs and pieces, many based on whimsical subjects or her international travels. These simple, yet effective learning tools for children studying piano have retained all their charm and unique qualities and remain in print today in the Willis catalog.
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Top reviews from the United States
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These books were everything that I remembered! And they have really helped my harp playing. I work each exercise that is feasible (some things on a piano are not doable on my harp...and some things that are simple on one instrument are much more advanced on the other due to different hand positions) until I can get it at 160bpm with a metronome. It has increased my finger dexterity and also my sight-reading ability for my harp.
Top reviews from other countries
* the online audio files are not recording of the execution of the pieces, but accompaniment. I have no idea how beginner should use accompaniment. What I need is perfect example how to actual play the piece. You can find execution on youtube and this is why you don't need edition with audio (because it is useless)
* because this book includes 4 books it is quite thick and it is impossible to open it on music rest (unless you have some special stand). If you buy single "volume" because it is rather thin it should open much better than this monster
* pricewise -- is it really cheaper? You can buy exactly single individual book, use it to max and then decide if you really need another one. You buy another, and then decide if you need third one. It might be you don't, so in total you spend less money than on this "cheaper" combined edition.
Please note, I am not review the content itself, so I am NOT saying individual books are any good. I returned this book and I have no intention to buy single ones, but that's just me.
El envío muy oportuno llego en tiempo y forma en que la fecha indicada