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Station Eleven: A Novel (National Book Award Finalist) Paperback – June 2, 2015

4.3 4.3 out of 5 stars 63,914 ratings

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NATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • A PEN/FAULKNER AWARD FINALIST • Set in the eerie days of civilization’s collapse—the spellbinding story of a Hollywood star, his would-be savior, and a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity. • Now an original series on HBO Max. • Over one million copies sold!

Kirsten Raymonde will never forget the night Arthur Leander, the famous Hollywood actor, had a heart attack on stage during a production of
King Lear. That was the night when a devastating flu pandemic arrived in the city, and within weeks, civilization as we know it came to an end.

Twenty years later, Kirsten moves between the settlements of the altered world with a small troupe of actors and musicians. They call themselves The Traveling Symphony, and they have dedicated themselves to keeping the remnants of art and humanity alive. But when they arrive in St. Deborah by the Water, they encounter a violent prophet who will threaten the tiny band’s existence. And as the story takes off, moving back and forth in time, and vividly depicting life before and after the pandemic, the strange twist of fate that connects them all will be revealed.

Look for Emily St. John Mandel’s bestselling new novel, Sea of Tranquility!
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From the Publisher

literary;Dystopian;science fiction books;shakespeare;Apocalyptic;thriller;books for men

literary;Dystopian;science fiction books;shakespeare;Apocalyptic;thriller;books for men

literary;Dystopian;science fiction books;shakespeare;Apocalyptic;thriller;books for men

Editorial Reviews

Review

A National Book Award Finalist • A PEN/Faulkner Award Finalist One of the Best Books of the Year: The Washington Post, San Francisco Chronicle, Chicago Tribune, Buzzfeed, and Entertainment Weekly, Time, Milwaukee Journal Sentinel, Minnesota Public Radio, The Huffington Post, BookPage, Time Out, BookRiot
 
Station Eleven is so compelling, so fearlessly imagined, that I wouldn’t have put it down for anything.” —Ann Patchett
 
“A superb novel . . . [that] leaves us not fearful for the end of the word but appreciative of the grace of everyday existence.” —
San Francisco Chronicle 

“Deeply melancholy, but beautifully written, and wonderfully elegiac . . . A book that I will long remember, and return to.” —George R. R. Martin

“Absolutely extraordinary.” —Erin Morgenstern, author of
The Night Circus
 
“Darkly lyrical. . . . A truly haunting book, one that is hard to put down." —
The Seattle Times
 
“Tender and lovely. . . . Equal parts page-turner and poem.”—
Entertainment Weekly
 
“Mesmerizing.” —
People
 
 “Mandel delivers a beautifully observed walk through her book’s 21st century world…. I kept putting the book down, looking around me, and thinking, ‘Everything is a miracle.’”—Matt Thompson, NPR  

“Magnificent.” —
Booklist

“My book of the year.”—Karen Joy Fowler, author of
We Are All Completely Beside Ourselves

“Unmissable. . . . A literary page-turner, impeccably paced, which celebrates the world lost.” —
Vulture
 
“Haunting and riveting.”—
Milwaukee Journal Sentinel

Station Eleven is the kind of book that speaks to dozens of the readers in me—the Hollywood devotee, the comic book fan, the cult junkie, the love lover, the disaster tourist. It is a brilliant novel, and Emily St. John Mandel is astonishing.” —Emma Straub, author of The Vacationers

“Think of Cormac McCarthy seesawing with Joan Didion. . . . Magnetic.”  —
Kirkus (starred)

“Even if you think dystopian fiction is not your thing, I urge you to give this marvelous novel a try. . . . [An] emotional and thoughtful story.” —Deborah Harkness, author of
The Book of Life

“It’s hard to imagine a novel more perfectly suited, in both form and content, to this literary moment.
Station Eleven, if we were to talk about it in our usual way, would seem like a book that combines high culture and low culture—“literary fiction” and “genre fiction.” But those categories aren’t really adequate to describe the book” —The New Yorker

“Audacious. . . . A book about gratitude, about life right now, if we can live to look back on it." —
Minneapolis Star-Tribune

“A surprisingly beautiful story of human relationships amid devastation.” —
The Washington Post

“Soul-quaking. . . . Mandel displays the impressive skill of evoking both terror and empathy.” —
Los Angeles Review of Books

“A genuinely unsettling dystopian novel that also allows for moments of great tenderness. Emily St. John Mandel conjures indelible visuals, and her writing is pure elegance.” —Patrick deWitt, author of
The Sisters Brothers

“Possibly the most captivating and thought-provoking post-apocalyptic novel you will ever read.” —
The Independent (London)

“A firework of a novel . . . full of life and humanity and the aftershock of memory.” —Lauren Beukes, author of
The Shining Girls

“One of the best things I’ve read on the ability of art to endure in a good long while.” —Tobias Carroll,
Electric Literature

“Will change the post-apocalyptic genre. . . . This isn’t a story about survival, it’s a story about living.” —
Boston Herald

 “A big, brilliant, ambitious, genre-bending novel. . . . Hands-down one of my favorite books of the year.” —Sarah McCarry,
Tor.com

“Strange, poetic, thrilling, and grim all at once,
Station Eleven is a prismatic tale about survival, unexpected coincidences, and the significance of art.” —Bustle, “Best Book of the Month”

“Disturbing, inventive and exciting,
Station Eleven left me wistful for a world where I still live.” —Jessie Burton, author of The Miniaturist

About the Author

EMILY ST. JOHN MANDEL's five previous novels include The Glass Hotel and Station Eleven, which was a finalist for a National Book Award and the PEN/Faulkner Award for Fiction and has been translated into thirty-five languages. She lives in New York City.

Product details

  • Publisher ‏ : ‎ Vintage; Reprint edition (June 2, 2015)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 352 pages
  • ISBN-10 ‏ : ‎ 0804172447
  • ISBN-13 ‏ : ‎ 978-0804172448
  • Item Weight ‏ : ‎ 9 ounces
  • Dimensions ‏ : ‎ 5.2 x 0.71 x 8 inches
  • Customer Reviews:
    4.3 4.3 out of 5 stars 63,914 ratings

About the author

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Emily St. John Mandel
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EMILY ST. JOHN MANDEL is the author of six novels, including Sea of Tranquility, The Glass Hotel, and Station Eleven, which was a finalist for a National Book Award and the PEN/Faulkner Award for Fiction. Her work has been translated into thirty-two languages. She lives in New York City with her husband and daughter.

Customer reviews

4.3 out of 5 stars
4.3 out of 5
63,914 global ratings
Station Eleven is well written and thought provoking if you take the time.
4 Stars
Station Eleven is well written and thought provoking if you take the time.
Station Eleven is a slow simmer of a read. All that was is no more. The world that once was has gone and time has started over. Station Eleven is a patchwork of stories, some intertwining and others merely passing through the night. It flits back and fourth among the characters from before the pandemic to the present. These threads are what loosely binds the story together giving it an elusive sense of connection and impact. If you are an action pack reader, you probably won’t enjoy this book. However, If you are character driven, then perhaps you will.The best parts involved The Traveling Symphony who traveled Toronto and the Great Lake area putting on Shakespeare and playing their instruments in this post apocalyptic world. Art had become magic and almost nostalgic in this brave new world. Then there’s the museum, a collection of every day items that had been abandoned during the mass rush to escape. The museum is a place place to see, touch and remember things the way they used to be. This is vital for all who survived….this need and desire to remember and to be remembered. In the midst of this idyllic recovery an evil lurks… What is the connection? Is there one?Station Eleven is well written and thought provoking if you take the time to read it. It was written in 2014, well before Covid. What if???? I enjoyed the story and it certainly left a bookprint in my mind. I’m glad I took the time to read it.A Simmering ⭐️⭐️⭐️⭐️
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Top reviews from the United States

Reviewed in the United States on December 2, 2014
Wow! There are so many things good about Station Eleven that it’s hard to decide where to start. Maybe a good place is to talk about the way it yokes past and future, giving equal weight to both. That’s uncommon in post-apocalypse fiction, which most often slights a fuller past in favor of a drastically reduced future, vide Cormac McCarthy’s The Road or Russell Hoban’s Ridley Walker. The past is still a living space in Station Eleven. Not only do the people in the future reflect on it, they are tied to it in small and large ways, from the relationships among the people still living to the recurring references to an old graphic novel, Station Eleven, two issues of which one of the survivors still carries with her and whose message shaped the messianic ideas of a creepy cult preacher who takes over a town and its people and is a menace to everyone else still around.

The book starts with the description of a production of King Lear. Arthur, the actor playing Lear, collapses on stage. Attempts to revive him fail. He dies. A conceit of this production is to put three young girls on stage before the action starts: they are Lear’s daughters –Regan, Goneril and Cordelia-- but as children playing games while their already aging father watches them. The youngest of the girls is escorted from the stage. She doesn‘t really understand what has happened, and soon it won’t matter, because that very day a deadly flu variant finally hits the States. Within a day, a week, a month, not just here in the States, almost everyone is dead. So dies a world. Soon there’s no internet, radio or TV, no phone system, no computers, and no trains, planes, cars, not even gasoline because petrol has a lifespan too before it turns bad. The survivors include the girl who played the child Cordelia when Arthur died. The young man who gave Arthur CPR on stage survives too as do Arthur’s son and one of his three wives.

But it’s a new life they lead. Kirsten is now a grownup actress, a member of the Traveling Orchestra, a collective that travels from settlement to settlement performing one night as an orchestra and the next as actors performing Shakespeare. A sign of the altered life she now leads, Kristen has four knives in a row tattooed on one forearm, one for each marauder she has killed. Carter, Arthur’s childhood friend and then his lawyer in the old world, lives in an abandoned airport now. It was a regional airport. When the flu hit with devastating thoroughness and speed, it the airport was cordoned off to prevent the flu escaping from the terminal but the flu didn‘t strike the people in the airport at all and the quarantine stopped others from bringing it and infecting them.

The story that Station Eleven tells is complicated, even twisty, with repeated steps back and forth between before and after, and shifts in perspective among a large cast of characters. But it all hangs together and the effect is devastating. Mandel is an extraordinarily talented wordsmith. Her images are concrete but evocative, her characters pop off of the page, and there are new discoveries all the way to the end of the book. Station Eleven has already wound up on one paper’s best of the year list –the Washington Post. It has received a National Book Award nomination. One New York Times reviewer didn’t like but the other two did. Read it yourself and see what you think.
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Reviewed in the United States on December 28, 2014
There is much to like about Station Eleven. The writing is engaging, clear, and--considering the post-apocalyptic context--very beautiful. Mandel switches between different perspectives and time in a smooth and seamless manner. Main characters are reasonably well-developed (although there are some critical exceptions). The premise is not altogether novel (I had to chuckle a bit when Mandel, seeming to break the fourth wall a bit, notes that usually this kind of tale involves zombies), but I thought Mandel's take on the "post-apocalypse" was fresh--specifically, her deliberate avoidance of the darkest year or two after the pandemic, the focus on individuals' inner thoughts, regrets, and desires, and the slightly more esoteric focus on arts and "civilization" rather than the more immediate task of surviving (indeed, the "survival is insufficient" mantra pretty much captures the spirit of the whole novel). Overall, it's a page-turner but also thought-provoking at the same time.

On the other hand, I thought there were some flaws as well. None were fatal on their own, but added together, they did lessen the impact of the book below what it had the potential to be. In fact, most could be thought of as caveats to the strong points I mentioned above. While I did admire Mandel's attempts to go above/beyond the day-to-day "survival" aspect of the post-apocalypse, this also did lessen my ability to really grasp/believe/feel the world that she has created. Other than the danger presented by the prophet and his crew, there is no real sense of danger or adversity for the main characters in the story. At worst, they complain about the heat. In a world that fits the literal definition of "anarchy", the idea of a band of traveling actors/musicians just seems implausible ... almost laughable (granted, there are no zombies here, but this group would be lucky to survive a day in the world of the Walking Dead). At the very least, much more detail is needed to answer the questions that will surely nag at the reader. On the other hand, given that a full two decades have passed, it is surprising that more progress hasn't been made to restore civilization (*especially* if the world is as generally peaceful as Mandel portrays it to be). To be frank, Mandel seems more interested in filling in the *pre*-apocalyptic "past" of Arthur Leander and his associates than that of the *post*-apocalyptic "present." While both were interesting, and fit together in a vague "everything is connected / you make your own fate" kind of way, it leaves the reader a little unclear what Mandel is trying to say exactly. Mandel sets herself up nicely for a deep exploration of the desire to preserve what you have versus to create something new (this is basically the main theme of the Station Eleven comic), but this just didn't come through that strongly in the actual/non-comic story. This focus on both "before" and "after" also hurts the pacing of the story. Although the "pre" world is the better developed story, these reminisces on the past put the brakes on the faster-paced, more suspenseful "present".

Many of the characters were pretty well fleshed out (for whatever reason, Clark was a favorite of mine) but others were either underdeveloped or underutilized. "The prophet" is perhaps the main example. Given the prophet's age and the centrality of Arthur Leander, an attentive reader will figure out his identity pretty much as soon as he is introduced, yet Mandel spends a long time making the reveal official. Moreover, oddly, he is one of the few characters that we never see things from his perspective (maybe because there is little to see?). What's the saying about a story being only as good as its villain? Unfortunately, that's a problem for this story ... the prophet has no worldview, no real philosophy ... just self-aggrandizing megalomania. In general, while we get to know a half dozen or so people quite well (Arthur, Clark, Miranda, Kirsten), most others are hard to really care about positively or negatively--especially in the post-apocalypse.

This seems like a lot of complaining, but overall I did like the book. I just didn't finish it as moved or as intellectually stimulated/challenged as I hoped. The description on Amazon calls this book "audacious" ... but is it really? There are many books dealing with apocalyptic themes, and it seems like these days more books shift between different times and perspectives than don't ... while Mandel's voice is unique, this book is also surprisingly "safe" on a number of fronts. Perhaps my expectations were just a bit too high ... I liked this book, but I just didn't love it as much as I hoped I would.
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Reviewed in the United States on April 23, 2024
Loved the book. It took me close to 18 days to finish it but I thoroughly enjoyed it. I read at nights before falling asleep and I think the quiet resonated with the book. It got me thinking quite a bit about how we take so much for granted. Miranda is my favorite character. I felt like she was the only grounded character in the book. Kirsten’s character shaped well and Jeevan is another favorite. I enjoyed how the comic connected several pieces of the book together including the prophet. When u live in weird times, it just takes a tiny bit to change course ! Reminded me of pandemic days and how some of those stay at home days were somehow the happiest days with family. Definitely a 4.7/5 for me specially because of the post pandemic state we are living in.
I’m currently watching the Mini series and super excited for it.
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Top reviews from other countries

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Samuel E. Wagar
5.0 out of 5 stars Astonishing writing, expands the genre
Reviewed in Canada on January 12, 2023
I am late getting to this but I just finished this exceptional, beautiful, profound work. A novel which broadly concerns the importance of art and culture in making a meaningful life - set just before and after a great pandemic kills 99% of humanity. Interlocking stories of characters connected through an actor whose death of a heart attack occurs on the day the pandemic hits Toronto - a child actress, his ex-wives, his best friend, a paramedic who tries to save him, his son. And a travelling company of musicians and actors who have a circuit around the Great Lakes playing symphonic music and performing Shakespeare in the tiny settlements of survivors. Mandel describes ordinary things with such beauty, as she sets them in the context of the great disaster and social collapse - how ordinary things like the telephone, coffee at a coffee shop, are made strange because a few days later the plague will hit, how the small moments become significant in the light of death.
4 people found this helpful
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Ana
5.0 out of 5 stars Excelente libro!
Reviewed in Mexico on November 12, 2021
Me encantó este libro, a pesar de ser una distopía guarda esperanza, amor, suspenso, de todo. Varias historias unidas por un mismo hilo, y dadas las circunstancias actuales de pandemia, uno puede evitar quedar agradecido, podía haber sido peor.
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maryapple
5.0 out of 5 stars Gripping, well crafted
Reviewed in the United Kingdom on April 2, 2024
Enjoyed this, a more gentle (realistic) imagining of a post apocalyptic world that considers the drive to save the uniquely human construct that is art. Clever and believable.
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Susana
5.0 out of 5 stars Fantástico
Reviewed in Spain on March 15, 2024
La caracterización de los personajes es impecable y el cierre de la trama,incluso con varias líneas temporales, es perfecto. Me ha encantado
Heinrichson
5.0 out of 5 stars Eine poetische Reise durch eine fragile postapokalyptische Welt
Reviewed in Germany on December 23, 2023
My impressions in German and English:

Eine poetische Reise durch eine fragile postapokalyptische Welt / A Poetic Journey Through a Fragile Post-Apocalyptic World.

"Station Eleven" ist ein fesselndes Buch, das mich von Anfang bis Ende in seinen Bann gezogen hat. Die Autorin, Emily St. John Mandel, schafft es meisterhaft, eine postapokalyptische Welt zu entwerfen, die gleichzeitig düster und hoffnungsvoll ist.Die Geschichte folgt verschiedenen Charakteren, die auf beeindruckende Weise miteinander verbunden sind. Mandel wechselt geschickt zwischen verschiedenen Zeitebenen, was dem Roman eine faszinierende Struktur verleiht. Die Überlebenden einer tödlichen Grippe-Epidemie versuchen, in einer Welt ohne Elektrizität und moderne Technologie zu überleben.Die Charakterentwicklung ist bemerkenswert, und man kann sich leicht mit den unterschiedlichen Figuren identifizieren. Mandels Sprache ist poetisch und einfühlsam, was die Atmosphäre des Buches noch intensiver macht."Station Eleven" regt nicht nur zum Nachdenken über die Fragilität unserer Zivilisation an, sondern auch über die Bedeutung von Kunst und Kultur in einer Welt, die dem Untergang geweiht zu sein scheint. Die Beschreibungen der verlassenen Städte und die Suche nach menschlicher Verbindung verleihen dem Buch eine tiefgreifende emotionale Dimension.Insgesamt ist "Station Eleven" ein literarisches Meisterwerk, das die Leser mit einer packenden Handlung und anspruchsvollen Themen begeistern wird. Ich kann es nur wärmstens empfehlen, besonders für diejenigen, die nach einem Buch suchen, das sowohl intellektuell anregend als auch emotional berührend ist.

"Station Eleven" is a captivating book that held me spellbound from beginning to end. The author, Emily St. John Mandel, masterfully crafts a post-apocalyptic world that is both bleak and hopeful.The story follows various characters intricately connected in a post-pandemic landscape. Mandel skillfully navigates between different timelines, giving the novel a fascinating structure. Survivors of a deadly flu epidemic strive to adapt to a world devoid of electricity and modern technology.The character development is remarkable, and readers can easily identify with the diverse cast. Mandel's language is poetic and empathetic, intensifying the novel's atmosphere."Station Eleven" not only prompts reflection on the fragility of our civilization but also on the significance of art and culture in a seemingly doomed world. The descriptions of abandoned cities and the search for human connection add a profound emotional dimension to the book.Overall, "Station Eleven" is a literary masterpiece that will captivate readers with its compelling plot and sophisticated themes. I highly recommend it, especially for those seeking a book that is intellectually stimulating and emotionally resonant.Furthermore, the absence of smartphones, internet, and the inability to swiftly travel to the other end of the earth by plane underscores a haunting reality. The characters must rely on traditional forms of communication, adding an extra layer of realism to the narrative. The inability to communicate over long distances amplifies the survivors' isolation, emphasizing the fragile nature of our highly technological world. This element significantly contributes to the allure of "Station Eleven," compelling readers to contemplate the impact of technological collapse on our interpersonal connections.
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