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Hillbilly Elegy: A Memoir of a Family and Culture in Crisis Hardcover – June 28, 2016
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THE #1 NEW YORK TIMES BESTSELLER IS NOW A MAJOR-MOTION PICTURE DIRECTED BY RON HOWARD AND STARRING AMY ADAMS, GLENN CLOSE, AND GABRIEL BASSO
"You will not read a more important book about America this year."—The Economist
"A riveting book."—The Wall Street Journal
"Essential reading."—David Brooks, New York Times
From a former marine and Yale Law School graduate, a powerful account of growing up in a poor Rust Belt town that offers a broader, probing look at the struggles of America’s white working class
Hillbilly Elegy is a passionate and personal analysis of a culture in crisis—that of white working-class Americans. The decline of this group, a demographic of our country that has been slowly disintegrating over forty years, has been reported on with growing frequency and alarm, but has never before been written about as searingly from the inside. J. D. Vance tells the true story of what a social, regional, and class decline feels like when you were born with it hung around your neck.
The Vance family story begins hopefully in postwar America. J. D.’s grandparents were “dirt poor and in love,” and moved north from Kentucky’s Appalachia region to Ohio in the hopes of escaping the dreadful poverty around them. They raised a middle-class family, and eventually their grandchild (the author) would graduate from Yale Law School, a conventional marker of their success in achieving generational upward mobility.
But as the family saga of Hillbilly Elegy plays out, we learn that this is only the short, superficial version. Vance’s grandparents, aunt, uncle, sister, and, most of all, his mother, struggled profoundly with the demands of their new middle-class life, and were never able to fully escape the legacy of abuse, alcoholism, poverty, and trauma so characteristic of their part of America. Vance piercingly shows how he himself still carries around the demons of their chaotic family history.
A deeply moving memoir with its share of humor and vividly colorful figures, Hillbilly Elegy is the story of how upward mobility really feels. And it is an urgent and troubling meditation on the loss of the American dream for a large segment of this country.
- Print length272 pages
- LanguageEnglish
- PublisherHarper
- Publication dateJune 28, 2016
- Dimensions6 x 0.93 x 9 inches
- ISBN-109780062300546
- ISBN-13978-0062300546
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Editorial Reviews
Review
“[A] compassionate, discerning sociological analysis…Combining thoughtful inquiry with firsthand experience, Mr. Vance has inadvertently provided a civilized reference guide for an uncivilized election, and he’s done so in a vocabulary intelligible to both Democrats and Republicans. Imagine that.” — Jennifer Senior, New York Times
“[Hillbilly Elegy] is a beautiful memoir but it is equally a work of cultural criticism about white working-class America….[Vance] offers a compelling explanation for why it’s so hard for someone who grew up the way he did to make it…a riveting book.” — Wall Street Journal
“[Vance’s] description of the culture he grew up in is essential reading for this moment in history.” — David Brooks, New York Times
“[Hillbilly Elegy] couldn’t have been better timed...a harrowing portrait of much that has gone wrong in America over the past two generations...an honest look at the dysfunction that afflicts too many working-class Americans.” — National Review
"[A]n American classic, an extraordinary testimony to the brokenness of the white working class, but also its strengths. It’s one of the best books I’ve ever read… [T]he most important book of 2016. You cannot understand what’s happening now without first reading J.D. Vance." — Rod Dreher,The American Conservative
“J.D. Vance’s memoir, “Hillbilly Elegy”, offers a starkly honest look at what that shattering of faith feels like for a family who lived through it. You will not read a more important book about America this year.” — The Economist
“[A] frank, unsentimental, harrowing memoir...a superb book...” — New York Post
“The troubles of the working poor are well known to policymakers, but Vance offers an insider’s view of the problem.” — Christianity Today
“Vance movingly recounts the travails of his family.” — Washington Post
“What explains the appeal of Donald Trump? Many pundits have tried to answer this question and fallen short. But J.D. Vance nails it...stunning...intimate...” — Globe and Mail (Toronto)
“[A] new memoir that should be read far and wide.” — Institute of Family Studies
“[An] understated, engaging debut...An unusually timely and deeply affecting view of a social class whose health and economic problems are making headlines in this election year.” — Kirkus Reviews (starred review)
“Both heartbreaking and heartwarming, this memoir is akin to investigative journalism. … A quick and engaging read, this book is well suited to anyone interested in a study of modern America, as Vance’s assertions about Appalachia are far more reaching.” — Library Journal
“Vance compellingly describes the terrible toll that alcoholism, drug abuse, and an unrelenting code of honor took on his family, neither excusing the behavior nor condemning it…The portrait that emerges is a complex one…Unerringly forthright, remarkably insightful, and refreshingly focused, Hillbilly Elegy is the cry of a community in crisis.” — Booklist
To understand the rage and disaffection of America’s working-class whites, look to Greater Appalachia. In HILLBILLY ELEGY, J.D. Vance confronts us with the economic and spiritual travails of this forgotten corner of our country. Here we find women and men who dearly love their country, yet who feel powerless as their way of life is devastated. Never before have I read a memoir so powerful, and so necessary. — Reihan Salam, executive editor, National Review
“A beautifully and powerfully written memoir about the author’s journey from a troubled, addiction-torn Appalachian family to Yale Law School, Hillbilly Elegy is shocking, heartbreaking, gut-wrenching, and hysterically funny. It’s also a profoundly important book, one that opens a window on a part of America usually hidden from view and offers genuine hope in the form of hard-hitting honesty. Hillbilly Elegy announces the arrival of a gifted and utterly original new writer and should be required reading for everyone who cares about what’s really happening in America.” — Amy Chua, New York Times bestselling author of The Battle Hymn of the Tiger Mother
“Elites tend to see our social crisis in terms of ‘stagnation’ or ‘inequality.’ J. D. Vance writes powerfully about the real people who are kept out of sight by academic abstractions.” — Peter Thiel, entrepreneur, investor, and author of Zero to One
From the Back Cover
From a former marine and Yale Law School graduate, a probing look at the struggles of America’s white working class through the author’s own story of growing up in a poor Rust Belt town
Hillbilly Elegy is a passionate and personal analysis of a culture in crisis—that of poor, white Americans. The disintegration of this group, a process that has been slowly occurring now for over forty years, has been reported with growing frequency and alarm, but has never before been written about as searingly from the inside. In Hillbilly Elegy, J.D. Vance tells the true story of what a social, regional, and class decline feels like when you were born with it hanging around your neck.
The Vance family story began with hope in postwar America. J.D.’s grandparents were “dirt poor and in love” and moved north from Kentucky’s Appalachia region to Ohio in the hopes of escaping the dreadful poverty around them. They raised a middle-class family, and eventually one of their grandchildren would graduate from Yale Law School, a conventional marker of success in achieving generational upward mobility. But as the family saga of Hillbilly Elegy plays out, we learn that J.D.’s grandparents, aunt, uncle, sister, and, most of all, his mother struggled profoundly with the demands of their new middle-class life, never fully escaping the legacy of abuse, alcoholism, poverty, and trauma so characteristic of their part of America. With piercing honesty, Vance shows how he himself still carries around the demons of his chaotic family history.
A deeply moving memoir, with its share of humor and vividly colorful figures, Hillbilly Elegy is the story of how upward mobility really feels. And it is an urgent and troubling meditation on the loss of the American dream for a large segment of this country.
About the Author
J.D. Vance grew up in the Rust Belt city of Middletown, Ohio, and the Appalachian town of Jackson, Kentucky. He enlisted in the Marine Corps after high school and served in Iraq. A graduate of the Ohio State University and Yale Law School, he has contributed to the National Review and the New York Times, and works as an investor at a leading venture capital firm. Vance lives in Columbus, Ohio, with his family.
Product details
- ASIN : 0062300547
- Publisher : Harper; Reprint Ed. edition (June 28, 2016)
- Language : English
- Hardcover : 272 pages
- ISBN-10 : 9780062300546
- ISBN-13 : 978-0062300546
- Item Weight : 1.03 pounds
- Dimensions : 6 x 0.93 x 9 inches
- Best Sellers Rank: #39,468 in Books (See Top 100 in Books)
- #46 in Sociology of Class
- #259 in U.S. State & Local History
- #1,305 in Memoirs (Books)
- Customer Reviews:
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About the author

J.D. Vance grew up in the Rust Belt city of Middletown, Ohio, and the Appalachian town of Jackson, Kentucky. He enlisted in the Marine Corps after high school and served in Iraq. A graduate of the Ohio State University and Yale Law School, he has contributed to the National Review and is a principal at a leading Silicon Valley investment firm. Vance lives in San Francisco with his wife and two dogs.
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While ostensibly about the particular culture of the West Virginia Scots-Irish underclass, anyone that has seen white poverty in America's flyover states will recognize much of what is written about here. It is a life on the very edge of plausibility, without the sense of extra-family community that serves as a stabilizing agent in many first-generation immigrant communities or communities of color. Drugs, crime, jail time, abusive interactions without any knowledge of other forms of interaction, children growing up in a wild mix of stoned mother care, foster care, and care by temporary "boyfriends," and in general, an image of life on the edge of survival where even the heroes are distinctly flawed for lack of knowledge and experience of any other way of living.
This is a story that many of the "upwardly mobile middle class" in the coastal areas, often so quick to judge the lifestyles and politics of "those people" in middle America, has no clue about. I speak from experience as someone that grew up in the heartland but has spent years in often elite circles on either coast.
Two things struck me most about this book.
First, the unflinching yet not judgmental portrayal of the circumstances and of the people involved. It is difficult to write on this subject without either glossing over the ugliness and making warm and fuzzy appeals to idealism and human nature, Hollywood style, or without on the other hand descending into attempts at political persuasion and calls to activism. This book manages to paint the picture, in deeply moving ways, without committing either sin, to my eye.
Second, the author's growing realization, fully present by the end of the work, that while individuals do not have total control over the shapes of their lives, their choices do in fact matter—that even if one can't direct one's life like a film, one does always have the at least the input into life that comes from being free to make choices, every day, and in every situation.
It is this latter point, combined with the general readability and writing skill in evidence here, that earns five stars from me. Despite appearances, I found this to be an inspiring book. I came away feeling empowered and edified, and almost wishing I'd become a Marine in my younger days as the author decided to do—something I've never thought or felt before.
I hate to fall into self-analysis and virtue-signaling behavior in a public review, but in this case I feel compelled to say that the author really did leave with me a renewed motivation to make more of my life every day, to respect and consider the choices that confront me much more carefully, and to seize moments of opportunity with aplomb when they present themselves. Given that a Hillbilly like the author can find his way and make good choices despite the obstacles he's encountered, many readers will find themselves stripped bare and exposed—undeniably ungrateful and just a bit self-absorbed for not making more of the hand we've been dealt every day.
I'm a big fan of edifying reads, and though given the subject matter one might imagine this book to be anything but, in fact this book left me significantly better than it found me in many ways. It also did much to renew my awareness of the differences that define us in this country, and of the many distinct kinds of suffering and heroism that exist.
Well worth your time.
The November 2016 election showed me I'm out of touch with middle America. I've been reading books this winter and spring to help me get a more accurate view of the problems facing the this group. This book, along with Thomas Friedmans "Thank You for Being Late", and Sam Quinones' "Dreamland" are other pieces to the puzzle.
J.D. Vance provides a brutal and personal overview of life in America for the working and non-working poor. As he says in the first few pages, "I want people to understand what happens in the lives of the poor and the psychological impact that spiritual and material poverty has on their children."[p 2] Vance shows us "a culture that increasingly encourages social decay instead of counteracting it."[p 7] Vance was able to escape this cycle of poverty and eventually graduated from Yale law school. It's almost a miracle he made it.
Vance's grandparents moved out of Appalachian Kentucky into Ohio following work. But the work wasn't long lasting; "As millions migrated north to factory jobs, the communities that sprouted up around those factories were vibrant but fragile: When the factories shut their doors, the people left behind were trapped in towns an cities that could no longer support such large populations with high-quality work. Those who could - generally the well educated, wealthy, or well connected - left, leaving behind communities of poor people. These remaining folks were the 'truly disadvantaged' [quoting William Julius Wilson's book of that name] - unable to find good jobs on their own and surrounded by communities that offered little in the way of connections or social support."[p 144]
These generations of poverty create a different environment. Domestic instability. Vance never really knew his biological father; his adoptive father left, and his mother went through a string of boyfriends who had no positive effect in J.D.'s or his sister's lives. of the picture.
As kids we learn what is acceptable from our parents; in much of poor America, domestic violence is acceptable. "Mom and Bob's problems were my first introduction to marital conflict resolution. Here were the takeaways: Never speak at a reasonable volume when screaming will do; if the fight gets a little too intense, it's okay to slap and punch, so long as the man doesn't hit first; always express your feelings in a way that's insulting and hurtful to your partner; if all else fails, take the kids and the do to a local motel, and don't tell your spouse where to find you - if he or she knows where the children are, he or she won't worry as much, and your departure won't be as effective."[p 71] Vance's mother took the familiar path we read about in Dreamland: She starts out as an alcoholic, becomes addicted to pain killers, and eventually shoots black tar heroin. "Psychologists call the everyday occurrences of my and Lindsay's life 'adverse childhood experiences,' or 'ACE' ''ACE's are traumatic childhood events, and their consequences reach far into adulthood. The trauma need not be physical."[p 226]
It's obvious that the deck is stacked against the children in this situation and there is no wondering why it happens generation after generation. You learn what is "normal" as a child. If this is normal, then keep doing it. People lose the belief that their actions can bring about change in their lives. Luckily J.D. Vance had a small opportunity for a way out and he was able to make the most of it. He left his mother to live with his grandmother (Mamaw) who provided love, stability, and structure, which, in turn helped J.D. graduate from high school. "Psychologists call it learned helplessness' when a person believes, as I did during my youth, that the choices I made had no effect on the outcomes in my life. From Middletown's world of small expectations to the constant chaos of our home, life had taught me that I had no control. Mamaw and Papaw had saved me from succumbing entirely to that notion, and the Marine Corp broke new ground. If I had learned helplessness at home, the Marines were teaching learned willfulness."[p 163]
J.D. Vance's takeaways are not the usual liberal tropes; he had a part-time job as a young adult and "every two weeks, I'd get a small paycheck and notice the line where federal and state income taxes were deducted from my wages. At least as often, our drug-addict neighbor would buy T-bone steaks, which I was too poor to buy for myself but was forced by Uncle Sam to buy for someone else. ... it was my first indication that the policies of Mamaw's party of the working man'- the Democrats - weren't all they were cracked up to be."[p 139]
So how do we fix this problem? While Vance shows the problems with many of the current "solutions", he doesn't really answer that question - which I think is the biggest drawback. He sums things up by saying "I don't know what the answer is, precisely, but I know it starts when we stop blaming Obama or Bush or faceless companies and ask ourselves what we can do to make things better."[p 256] He's right of course. but these problems are so large, and so entrenched that we can't expect the poor to simply fix their problems themselves. Those problems are endemic; most have never learned the skills, or acquired the belief they can make a difference. And, as Thomas Friedman points out, it's only going to get worse. The pace of changes from climate change, technology, and a global market (Mother Nature, Moore's Law and the Market in Friedman's shorthand) are increasing. Where once low skill jobs could bring relatively high wages - like those jobs provided by the factories that left Middletown - those days are gone and aren't coming back.
Vance argues these problems may not be fixable; the best we can do is "put our thumb on the scale" to help them out. One example of putting the thumb on the scale "would recognize what my old high school's teachers see every day; the real problem for som many of these kids is what happens (or doesn't happen) at home. For example, we'd recognize that Section 8 vouchers ough to be administered in a way that doesn't segregate the poor into little enclaves." [p 245]
I'm willing to come down off my liberal high horse to engage the problem; but we have to develop new strategies to get that thumb on the scale.
As an aside, you can get a quick look into this problem by listening to Tom Ashbrook's On Point broadcast of June 29, 2016 entitled "Poverty, Religion, and American Frustration". We listened to it last summer on our road trip - which is how this book originally came to be on my bookshelf.
Top reviews from other countries


The social background is fascinating – people on the fringes of mainstream society, almost literally, hidden away in the hollers of the Appalachians – with their own codes of honour, interacting enough with The Man to get money, but feeling excluded and not expecting to achieve beyond some personal status at a local level, and kind of institutionalised low self-esteem. Bad things that happen are always someone else’s fault: and Vance gives examples of this delusional self-righteousness, such as the guy who worked with him in the tyre depot who is outraged at getting sacked, even though he hadn’t bothered to turn up for work half the time. There are parallels with the UK in terms of the working-class areas which have lost their purpose as the industries which gave them meaning – coal, steel, shipbuilding, textiles – have disappeared and not been replaced, and the close community ties which bind people make it hard to leave, or to even to believe there’s a way out – for example, via education. In the US, the problem is exacerbated by distance and sheer physical isolation. Other countries will have their own variants of communities built around things which are no longer there and which suffer from that aimlessness.
To say, as some do, that this explains Trump or Brexit is perhaps over-egging the pudding: but it offers a picture of people abandoned by the march of progress, who then withdraw into themselves in a disconnect from the mainstream. And not only is it hard for individuals to motivate themselves break out of that mould, but it also offers a fruitful field for populists to draw on, to blame Other People (foreigners, the metropolitan elite) for that disadvantage and to ride that “righteous” anger to some political end (like Brexit or Trump 2016).
Overall, a terrific read, with some great insights, from someone who has actually lived it and got out (but still can’t quite believe it).


Juntamente com sua história de vida, o autor faz uma análise da cultura das pessoas à sua volta e em como essa cultura reforça o comodismo, prejudica a meritocracia, e torna quase impossível que pessoas pobres tenham chances (e condições) de sair da pobreza.
Apesar de o livro aparentemente tratar de uma cultura diferente da nossa, achei que muitas das descrições e análises se aplicam bastante à realidade brasileira.
