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Bannerless: A Novel (The Bannerless Saga) Kindle Edition
Decades after economic and environmental collapse destroys much of civilization in the United States, the Coast Road region isn’t just surviving but thriving by some accounts, building something new on the ruins of what came before. A culture of population control has developed in which people, organized into households, must earn the children they bear by proving they can take care of them and are awarded symbolic banners to demonstrate this privilege. In the meantime, birth control is mandatory.
Enid of Haven is an Investigator, called on to mediate disputes and examine transgressions against the community. She’s young for the job and hasn't yet handled a serious case. Now, though, a suspicious death requires her attention. The victim was an outcast, but might someone have taken dislike a step further and murdered him?
In a world defined by the disasters that happened a century before, the past is always present. But this investigation may reveal the cracks in Enid’s world and make her question what she really stands for.
Praise for Bannerless
“Bannerless is both a fine murder mystery and a multi-layered look at a different kind of society.” —Analog Science Fiction & Fact
“Vaughn skillfully portrays a vastly altered future America that’s almost unrecognizable decades after its total collapse; the . . . focus on sustainability and responsibility is unusual, thought-provoking, and very welcome.” —Publishers Weekly
“[A]n intimate post-apocalyptic mystery. . . . a deft portrait of a society departed so completely from the complexities of the now-destroyed civilization . . . that survivors don’t even understand what it is they’ve lost. . . . [A] well-crafted and heartfelt effort.” —Kirkus
“Amazing and compelling, Vaughn brings her deft characterization and humanity to bear on a post-apocalyptic world that is all too real.” —Tobias S. Buckell, bestselling author of Arctic Rising
- LanguageEnglish
- PublisherHarper Voyager
- Publication dateJuly 11, 2017
- File size2751 KB
Editorial Reviews
Review
"[A]n intimate post-apocalyptic mystery . . . a deft portrait of a society departed so completely from the complexities of the now-destroyed civilization . . . that survivors don’t even understand what it is they’ve lost . . . [A] well-crafted and heartfelt effort." — Kirkus Reviews
"Amazing and compelling, Vaughn brings her deft characterization and humanity to bear on a post-apocalyptic world that is all too real." — Tobias S. Buckell, bestselling author of Arctic Rising
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
A Suspicious Death
Enid came downstairs into a kitchen bright with morning sun blazing through the one window and full of the greasy smell of cooked sausage. Olive already had breakfast?'?sausage, toast, cream'set out on the table. In her dress and apron, her dark hair pulled back with a scrap of cloth, she was already at work?'but shouldn't have been, in Enid's opinion.
'How are you feeling?' Enid asked, hoping to keep worry out of her voice.
'I wish people would stop asking me that," Olive said, not looking up from the batch of dough that she was kneading, folding and punching it into the counter as if she could make it disappear.
Three other batches of dough sat rising in nearby bowls. Serenity household didn't need that much bread. Olive would probably trade it around the rest of Haven town.
Enid couldn't help herself. "How long you been up?"
Olive's smile was strained. "Up before Berol this morning.' Berol worked the early shift at the goat farm outside town. He was usually the first one up.
'You sure you shouldn't be resting? You don't have to work so hard."
'I want to be useful. I have to be useful."
You are, Enid thought. Maybe part of Olive resting was just leaving her alone to mourn the miscarriage and recover in her own way. Which maybe meant making too much bread.
'tea?' Olive asked as Enid sat and took up a knife to smear cream on a slice of toast.
'sure."
Olive smiled broadly; such a little thing could please her. She bustled between the stove and counter to get the pot ready?'?of course, she already had water heated. When the tea was poured, Enid wrapped her hands around the earthenware mug to soak in the warmth, breathing in the steam, and tried not to nag too much.
They made small talk about the weather and the town, the late summer market coming up and which of the outlying households might travel in, which of their far-off friends might visit. Usual gossip about who was sleeping with whom and whether the grain harvest was going to be over or under quota, and if it was over, would the committee let a couple of fields go fallow next year, though some would grumble that with a surplus the town could support a couple more mouths, hand out a couple more banners. Folk always wanted more banners.
After breakfast Enid helped clean up but only got as far as wiping down the table. Olive had already taken the plate and cup from her hands to put in the washbasin.
'What're you up to today, then?' Olive asked.
'I'm off to see if the clinic needs any help. Work's been slow lately."
'It's good that work's slow, yeah?"
When Enid had work, it meant something had gone wrong. "It is."
She put a vest over her tunic, took her straw hat from its hook by the door, and went outside. Didn't get much farther than that and stopped, seeing Tomas coming down the walk toward her.
Tomas was a middle-aged man, his silvering hair tied back in a short tail, his face pale and weathered, laugh lines abundant. Average height, a commanding gaze. He wore his investigator's uniform: plain belt and boots, simple tunic and trousers in a dark brown the color of earth, much deeper than any usual homespun or plain dyed brown.
A charge lit her brain: They had a job.
'Up for a tough one?' he asked in greeting.
'What is it?"
'suspicious death out at Pasadan.' His frown pulled at the lines in his face.
Enid stood amazed. She had investigated thefts and fraud, households that tried to barter the same bags of grain or barrels of cider twice, or that reneged on trades. She'd broken up fights and tracked down assaults. She had investigated bannerless pregnancies'women who'd gotten pregnant either because their implants had failed or, more rarely, because they'd thought to have a baby in secret. Keeping such a thing secret was nearly impossible?'?to her knowledge no one ever had. Though she supposed if they had managed to keep such a secret, no one would ever know. If you asked most folk, they'd say a bannerless pregnancy was the worst of the work she did. The hardest, because she would be the one to decide if the case was an accident that could be made right, or a malicious flouting of everything the Coast Road communities stood for.
Murder had become rare. Much rarer than in the old world, according to the survivor stories. It still happened, of course; it always happened when enough people lived in close-enough quarters. But Enid never thought she'd see one herself. And maybe she still wouldn't; suspicious death was only suspicious, but Tomas seemed grim.
'maybe you'd better come in and explain," she said.
Tomas made himself at home in the kitchen, settling into a chair at the table.
Olive, still at the counter kneading bread, looked up. "Hey! Company! Can I get you some tea?'' The bright greeting was habit; she stopped midsentence, her eyes widening. It was the uniform. Always a shock seeing it, no matter if an old friend like Tomas wore it.
'I'd love some tea, thanks," Tomas said. "How are you, Olive?' His tone was friendly, casual?'?an everyday question, not the pointed one Enid and the rest of the household had been asking her for the last week, and so Olive was able to give him an unforced welcome.
'Just fine," she said, wiping her hands on a dishcloth then scooping fresh leaves from their jar into the pot. "If this is about work, I can leave you two alone . . ."
'It's all right," Tomas said. "You're busy?'?stay."
Olive finished prepping the teapot, then went back to her dough, slapping the fourth batch into a smooth loaf, round and puffed and smelling of yeast.
'so what's this about?' Enid asked. Suspicious death was frustratingly nonspecific.
'A committee member at Pasadan requested the investigation. Man in his thirties, no other information."
'that's maybe thirty miles south, yeah?' Enid asked. "Not a big place."
'Couple hundred folk. Stable enough, mostly subsistence farming and some trade. Healthy community, everyone at regional thought."
'But are they really thinking murder?"
At the counter, Olive stopped kneading and glanced over, blinking disbelief.
Sam wandered in then, barefoot, shirtless, all wiry body, brown skin, and ropy muscles. Her Sam was thin but powerful. Folk thought he was weak, until he hefted fifty-pound bags of grain on his shoulder with one hand. He stood fast in storms.
'murder? What?' he muttered sleepily, then saw Tomas and the uniform. "Oh, it's work. I'll go.' He started to turn around.
'stay, Sam," Tomas said. "Have some tea."
Sam looked at Enid for confirmation, and she hoped her smile was comforting. This would be all right; this was her job, after all. And Sam was family, part of what made her able to do the job. Someone to come home to.
'morning, dear," she said, and kissed his cheek.
He sank into a chair at the kitchen table and accepted a fresh mug from Enid. 'murder, you said?' He tilted his head, a picture of bafflement. Who could blame him?
Tomas continued. "No one's said the word 'murder," but they want us to check.' He turned to Enid. "You up for that? You're due to carry this one as lead."
'Well, yes. Someone's got to, I suppose. But?'?are there witnesses? What happened?"
'Don't know yet. They've saved the body. We'll see what we see."
'If they've got a body on ice, we ought to hurry," she said.
'I was hoping to foot it in a couple hours, after we've had a chance to go through the records."
Well, that was her day planned then, wasn't it?
'Is everything going to be all right?' Olive asked.
They all looked to Tomas, the elder and mentor, for the answer to that, and he took a moment to reply. How did you answer that? Certainly, most things would be all right for most people. But they never would be again for the dead man, or the people who loved the person he'd been.
'Nothing for you to worry about," Tomas said. 'that's our job."
Our job. Investigators, moving through communities like brown-draped shadows of ill tidings.
'Oh, I'll always worry," said good, sweet Olive, and the smile she gave them was almost back to normal. Then she sighed. "At least it's not a banner violation."
She'd become deeply sympathetic to households caught in banner violations. Wanting a baby badly enough could make someone break the rules, she'd say, and then insist she would never ever do such a thing herself, of course. But she could sympathize. After all, you could follow all the rules, earn a banner, and then nature plays a cruel trick on you.
On the wall above the kitchen door hung a piece of woven cloth, a foot square on each side, a red-and-green-checked pattern for blood and life: their banner, which the four of them had earned. They'd all come from households that put their banners on the wall as a mark of pride. This was their first, and they could hope there would be more. Then Olive had miscarried. They had a banner and no baby to show for it. Enid kept telling Olive that they had time and more chances. No one could take the banner away.
Product details
- ASIN : B01I4FPM64
- Publisher : Harper Voyager (July 11, 2017)
- Publication date : July 11, 2017
- Language : English
- File size : 2751 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 290 pages
- Best Sellers Rank: #399,424 in Kindle Store (See Top 100 in Kindle Store)
- #3,546 in Dystopian Science Fiction (Kindle Store)
- #3,579 in Dystopian Fiction (Books)
- #4,541 in Post-Apocalyptic Science Fiction (Kindle Store)
- Customer Reviews:
About the author

Carrie Vaughn is the author more than twenty novels and over a hundred short stories. She's best known for her New York Times bestselling series of novels about a werewolf named Kitty who hosts a talk radio advice show for the supernaturally disadvantaged. In 2018, she won the Philip K. Dick Award for Bannerless, a post-apocalyptic murder mystery. She's published over 20 novels and 100 short stories, two of which have been finalists for the Hugo Award. She's a contributor to the Wild Cards series of shared world superhero books edited by George R. R. Martin and a graduate of the Odyssey Fantasy Writing Workshop.
An Air Force brat, she survived her nomadic childhood and managed to put down roots in Boulder, Colorado, where she collects hobbies.
Visit her at www.carrievaughn.com
For writing advice and essays, check out her Patreon: https://www.patreon.com/carrievaughn
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The dystopian theme is one of my absolute favorites. You simply mention it and you have my undivided attention. How it is that Bannerless escaped my clutches is beyond me. I only recently learned of this series when I received an advanced copy of the upcoming sequel. So while I was excited at the prospect of a new dystopian saga, I had little expectations as I jumped in nearly blind.
The skinny..
Due to epidemics and economic collapse, the United States is now an almost barren land with small surviving settlements that have regressed in many ways. However, the Coast Road offers hope to many in the forms of a possible future and rebuilt civilization. In efforts to thrive and avoid outgrowing the land, this remaining culture has implemented a regulated form of population control where each homestead must earn the right to expand their families and bear children. That right is signified with awarded banners. For everyone else, birth control is not optional. When Coast Road citizen, Enid, an investigator from Haven is summoned to another settlement in regards to a mysterious death, she uncovers a possible murder that just might not only upend the whole town but the world as she understands it.
“On the wall above the kitchen door hung a piece of woven cloth, a foot square on each side, a red-and-green-checked pattern for blood and life: their banner, which the four of them had earned.”
What I appreciated..
Beautifully executed world construction that immerses the reader in life along the Coast Road.
A unique twist on a classic concept. This is a dystopian story enshrouding a murder mystery with a true element of whodunnit.
Enid is a patient and well-defined character who’s portrayal offers readers a rewarding glimpse into the beginning of a new civilization and era.
The author offers viable aspects to man’s approach to rebuild, reclaim and even preserve some of what was.
An alternating timeline of our protagonist’s childhood and the present adds a nice layer of depth to her character.
“The worst storms were the ones that changed you. The ones you remembered not for how bad they objectively were, but for how much damage they did to your own world. Banners, planted in memory.”
Challenges some may encounter..
At times, the slow and steady pacing can feel almost sobering or emotionless.
Secondary characters remain almost undemonstrative and disconnected in comparison to Edin.
This is not a complex story with high revelations.
What Bannerless lacks in complexity it easily makes up for in a well-executed story, solid writing and the promise of something grand to come. It offers a dose of optimism in the midst of a desperate time which is often rare in this genre. I appreciated Vaughn’s decision to introduce a civilization that was making honest attempt to regain a worthwhile and constructive life. I am excited to see what direction she will take with this series and look forward to The Wild Dead.
These flash backs and the official story line show how people are coping after the Fall. There's no electricity but people have held on to a few computers, just in case they can ever retrieve the data on them. Preserving knowledge is a priority. One thing they learned or retained was how to manufacture reliable birth control implants. Every girl receives one upon reaching puberty. The community decides who can have a baby (signified by the banners), that decision based on the stability of the household (economic and psychological, one assumes) and their ability to be able to take care of an additional member. Having an illegal, bannerless, pregnancy is a serious transgression. And so is planting fields which were supposed to be left fallow so you don't stress the land.
So many post-apocalyptic societies make you shudder with horror. This one is kinder and gentler than our own. It would not be a bad place to live.
I don't mean that women aren't entitled to write post-apocalyptic novels! What I mean is that all of the people in this novel are simply NICER and more accommodating and calmer than the male portion of the postulated society are likely to be, given its situation. Men are prone to be combative and are prone to try to take over things and establish a dominance hierarchy where one does not exist. Since this society has no government with police powers backed up with weapons of any significant sort, it seems to me pretty likely that it would soon fall into some kind of civil war.
If not that, then at least some of the events in the novel would lead to physical conflict of the men involved. This world, to me, was not believable.
Top reviews from other countries


Bannerless is a wonderful read and, in my experience at least, somewhat unusual for a post apocalyptic setting. This is no Hobbesian dystopia, far from it. The survivors of the Fall have worked hard to ensure the mistakes of the old world aren't repeated. That individuals and communities have enough of what they need but no more. They take care of each other and tend to community, rather than individual needs. At least, that's the theory.
There is a quiet sort of fury (embodied in Enid, our wonderful protagonist) at the wilful selfishness and shortsightedness of the old world, our world, throughout the book. But it feels resigned and mournful, rather than polemical.
The world building is second to none and the characterisation is so skilfully done. It is one of the first books in a long time that made me cry, I cared so much for these characters and was fully invested in seeing how things turned out for them.
In many ways Bannerless is a gentle read, you get to know Enid and her companions slowly. The mystery reveals itself gradually too. But this absolutely suits the setting, Enid's world is slower than ours.
If you like excellent world building and thoughtful characterisation I'm sure you'll love this. I sincerely hope that there will be more stories in this setting to come.