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Michael J. Horswell
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Baroque Projections: Images and Texts in Dialogue with the Early Modern Hispanic World Hardcover – June 13, 2016

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Baroque Projections: Images and Texts in Dialogue with the Early Modern Hispanic World is a collection of articles by prominent scholars, edited by Florida Atlantic University's Frederic Conrod and Michael J. Horswell. The articles include: Gongora in Marienbad: The Pilgrim as Nouveau Romancier/Christopher van Ginhoven Rey; La representacion del mundo: Del globus cruciger a la esfera posmoderna/Patricia Saldarriaga; Vistas comunicentricas: teatro breve y chorographia madrilena en el siglo de oro espanol/Noelia S. Cirnigliaro; Juan de Mariana and the Modern American Politics of Money: Salamanca, Cervantes, Jefferson, and the Austrian School/Eric Clifford Graf; Las poseidas: cuadros histericos de la mistica en el imaginario decimononico/Nuria Godon; El bandolero como alegoria re-estructuradora del franquismo en 'Don Juan de Serrallonga' (1949), de Ricardo Gascon/Roma Rofes Herrera; "Will You Deliver Spain from Bondage?" Romancing the Spanish Inquisition in Darren Aronofsky's The Fountain (2006)/Javier Irigoyen-Garcia; Screening Quixote: Cervantes and Media Culture/Bruce R. Burningham; Baroque Humor and a Political Future through Illustrations of Sancho Panza and His Donkey/John Beusterien; Recycling the Cervantine Retablo in the 21st Century: The Case of Els Joglars/Carrie L. Ruiz; Jorge Gaggero's Cama adentro: A Projection of Early Modern Masters and Servants/Andrea M. Castelluccio"
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  1. Print length
    264 pages
  2. Language
    English
  3. Publisher
    Juan de la Cuesta
  4. Publication date
    June 13, 2016
  5. Dimensions
    6 x 0.63 x 9 inches
  6. ISBN-10
    1588712753
  7. ISBN-13
    978-1588712752
  8. See all details
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About the Author

MICHAEL J. HORSWELL: Associate Professor of Spanish and Latin American Literature and Associate Dean of Graduate Studies at Florida Atlantic University. He is the author of the book, Decolonizing the Sodomite: Queer Tropes of Sexuality in Colonial Andean Culture (University of Texas Press, 2005), translated into Spanish and re-published in South America with Abya-Yala press (first edition, 2010; second edition, 2013). He has also published articles and book chapters on transatlantic influences in literary figures such as Sor Juana Inés de la Cruz, Felipe Guaman Poma de Ayala, and the Inca Garcilaso de la Vega. Other recent articles include studies of the Baroque and Neo-baroque literatures of the Americas, Latin American cinema, and Ecuadorian literature and he is co-editor of Sumergido/Submerged: Alternative Cuban Cinema, Literal Publishing, 2013.



FREDERIC CONROD: Associate Professor of Comparative Literature at Florida Atlantic University. He has pursued his education between the Université de la Sorbonne where he studied American civilization and literature, Allegheny College where he received his B.A. in Religious Studies, and the University of Colorado where he earned an M.A. in Spanish Peninsular Literature and a PhD in Comparative Literature. His area of expertise is the correspondence between the Spanish Golden Age and the French Enlightenment.

Product details

  • Publisher ‏ : ‎ Juan de la Cuesta (June 13, 2016)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 264 pages
  • ISBN-10 ‏ : ‎ 1588712753
  • ISBN-13 ‏ : ‎ 978-1588712752
  • Item Weight ‏ : ‎ 1.15 pounds
  • Dimensions ‏ : ‎ 6 x 0.63 x 9 inches

About the author

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Michael J. Horswell

Michael J. Horswell

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Michael J. Horswell: Associate Professor of Spanish and Latin American Literature and Associate Dean of Graduate Studies at Florida Atlantic University. He is the author of the book, Decolonizing the Sodomite: Queer Tropes of Sexuality in Colonial Andean Culture (University of Texas Press, 2005), translated into Spanish and re-published in South America with Abya-Yala press (first edition, 2010; second edition, 2013). He has also published articles and book chapters on transatlantic influences in literary figures such as Sor Juana Inés de la Cruz, Felipe Guaman Poma de Ayala, and the Inca Garcilaso de la Vega. Other recent articles include studies of the Baroque and Neo-baroque literatures of the Americas, Latin American cinema, and Ecuadorian literature and he is co-editor of Sumergido/Submerged: Alternative Cuban Cinema, Literal Publishing, 2013. He recently co-edited Baroque Projections: Images and Texts in Dialogue with the Early Modern World (Newark, Delaware: Juan de la Cuesta, 2016) with Frederic Conrod.

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